Tag Archives: pagan

“Is Anyone Else Getting Weird Vibes?”: On Confirmation Bias and Emotional States

“Has anyone else been feeling weird vibes lately?”

“Am I the only one feeling the energy shifting here?”

“Three other people I know have gotten bad news in the past week. It must be a sign!”

“The full moon must be making everyone crazy.”

“Flat tire? Opossum attack? Breakup? Collapsed souffle? Must be Mercury retrograde again.”

“Man, I’ve just been feeling so worn out lately. Anyone else feel like the energy is being sucked out of you?”

“I don’t know, I just got a bad feeling and have been sad ever since, it must be because the energy is really weird!”

It’s time to pick up the thread I started earlier this year with my post Dear Pagans: Please Stop Abusing Science. In it I skewered a few patterns I’ve seen in paganism (and the New Age, etc.) like trying to prove magic exists with shoddily-designed experiments. One of the tools I use to critically think about my spirituality is the concept of confirmation bias, which is when people look for evidence that supports their claim while ignoring anything that doesn’t, even if they aren’t conscious of the fact they’re doing it.

Confirmation bias is at the heart of a phenomenon I’ve seen a LOT in my twenty years of paganism. What typically happens is one person will say something that boils down to “Hey, has anyone else been getting weird/negative/etc. vibes in the energy lately?” And then a bunch of other people chime in and say “Yeah, the energy has been really off the past few days/weeks/month.” Sometimes there’ll be an excuse given like Mercury retrograde or the full moon, or something more nebulous like veils thinning or energy shifting.

My response is generally: Well, yes–of course if you ask a big group of people if they’ve been feeling particularly sad, or angry, or happy lately, you’re going to get a bunch of them saying yes. There are 7.5 billion people on the planet. There will always be millions upon millions of people who are experiencing basically the same thing you are right this moment. Even in your own city/town/county you can likely find hundreds if not thousands of people who just happen to be in a similar emotional state as you. And this is true all of the time.

Moreover, I’m willing to bet you dollars to doughnuts that there are as many miscommunications and other unfortunate events going on when Mercury is direct as when it’s retrograde. We just expect Mercury retrograde to bring problems, and so we actively seek them out (if not consciously) because of our old friend confirmation bias. As to that old idea about the full moon having negative effects on behavior? There is absolutely no solid evidence that there’s any truth to it (remember, anecdotes don’t count because they’re rife with conformation bias, even if they come from emergency room workers and the like.) (For what it’s worth, there’s no solid evidence linking menstruation to lunar cycles, either, even in people who live away from artificial light.)

“But–but–lots of pagans I asked are feeling weird stuff right now!” Okay, so did you also ask how many weren’t feeling anything weird? How many didn’t say anything because they felt they didn’t have anything to add? Did you ask people who aren’t pagans? A bunch of anecdotes do not add up to anecdata, your sample size is too small and self-selected, you lack a control group, and I guarantee that if you repeat your “experiment” over and over again, you’re always going to get about the same number of people saying “yeah, I also feel sad/happy/angry” at the same time, no matter the circumstances or what you think the energy is up to, because there are always people in your vicinity/social circle/etc. who feel the same way you do at any given time.

Look, yes, zeitgeist is a thing; it’s a natural occurrence when you have thousands or millions of humans in contact with each other all trading social memes and other communications. Certain patterns of behavior and belief and other markers of culture are bound to come up again and again. And yes, I know that the primary source on synchronicity, Jung, was a highly respected individual in the field of psychology, which supposedly lends his theory of acausal connections some weight.

But neither of these is a reason to skip the search for a more mundane causality for what you yourself are feeling on a more personal, immediate scale, especially if it’s something like feeling good one minute and then all of a sudden feeling down. Why not respond to unexpected emotional changes by considering much more likely mundane explanations? “Hmmm, I feel kind of blah. When’s the last time I ate? Did I get enough sleep? Has someone I live with been kind of pissy lately and stressed the entire household out? Maybe I just have some kind of weird temporary hormonal shift that’s affecting my mood?” (By the way, people of all sexes and genders have hormonal cycles that can and do affect emotions.)

It’s okay to want to not feel alone in your thoughts and feelings. But remember that we humans share a lot of common experiences. We share joy, and sorrow, and anger, and fatigue. We share weird blips in our neurochemistry that can bring on what feel like unexpected mood swings. When we are hit by a daily barrage of negative news media and other exhausting input, then yes–it’s normal for our systems to get overloaded, even if we aren’t conscious of it happening at the time. And it’s natural for us to feel empathy for others in the same situation we’re in: welcome to being a social species of ape. We evolved this connection to each other over millions of years, and we share it with lots of other species, too.

If you want to adhere to a principle created by a famous white guy from Europe, set aside Jung’s synchronicity and take a look at Occam’s Razor: the simplest explanation for a situation or phenomenon is the most likely. The more direct evidence you have and the fewer assumptions and leaps of faith you have to make, the better. And when you find the actual source of the problem you can then do something about it. Talking to a bunch of people online about how you all feel sad today can help you feel better in that you don’t feel so alone and you get a chance to talk about what you feel, but it won’t necessarily get rid of the original cause of your sadness. If you still feel off, you might be a little depressed or tired, your hormones might be a bit wonky–or you might just need a sandwich and some water. Either way, know that no matter what you’re going through, there are other people facing the same challenges right this moment, and that what you’re going through is likely normal and okay.

A Pagan Argument For Organ Donation

I am an organ donor. Or at least a potential one, in the event of my death. I’ve been signed up for over a decade through my various state driver’s licenses. I’m also on the bone marrow donor registry at Be the Match. I haven’t yet been a match for anyone, but I’m there for the call if they need me. (For what it’s worth, they really need people of color to increase potential donors for non-white patients, since white people like me are less likely to be a match for non-white donors thanks to tissue typing. But I encourage anyone who can join to do so, regardless of your race.)

I consider it an important part of my spiritual path to be a potential donor. I’m not especially invested in any particular idea about the afterlife, if there even is one. All I have guaranteed is the here and now, and what I have here and now is a body that I borrowed from the Earth. Every atom in my body came from food I consumed, water I drank, air I breathed. And when I die, I’m going to have to give it all back; I’m a huge proponent of green burial, by the way, and I’d like a spot at Herland Forest.

But not all of me may end up in that ground. If, when I die, my organs are still in good enough condition, I’d like them to go to people who need them. After all, I’m certainly not going to need them. I’ll be dead, and the worms and bacteria and other little critters won’t care that there’s no liver, or I’m missing an eyeball or two. I could selfishly say that since I am against embalming I refuse to allow any part of my body to be embalmed, and therefore refuse to be a donor on the grounds that it’s likely when the recipients die they’ll end up full of embalming fluids–to include my old spare parts. But as I said, that’s selfish, and I’ll sacrifice a few pieces if it means someone else gets to enjoy this world a little longer.

I’m not at all worried about not making it into some possible afterlife because my body wasn’t complete. Do soldiers who lose body parts in combat not get to go to the next life? What about tradespeople who end up losing a finger to machinery, or someone who had their original teeth knocked out in an auto accident? Hell, what about pagans who donate blood and plasma? I mean, really, we’re shedding hair and skin cells all the damned time, and we aren’t able to vacuum them up again, store them in bags and then take them with us to the grave. (Ewww. No, really, ewwww.)

Loss is normal. Other animals run around in the wilderness all the time with missing toes, shortened tails, cropped ears from fights, accidents, frostbite. Our medical technology just allows us to save more damaged bits and parts. The idea that only someone with a “whole” body gets to go to the afterlife just seems antithetical to reality. I mean, I had a large lipoma removed from my hip when I was seventeen. I’m sure it got sent to an incinerator (if it wasn’t plopped into a jar of preservative as a study specimen for students). It left a pretty big scar (which, quite honestly, I think looks really damned cool.) I also had my wisdom teeth removed a few years later. Am I automatically denied an afterlife, if such a thing even exists? Better to bank on what I know I have for sure–this life, and this world–than gamble valuable resources on the idea that there’s something after death and that somehow the integrity of my borrowed, physical body matters there.

I’ve heard arguments that organ donation is against environmental ethics. I am keenly aware of the fact that we have 7 billion humans and counting on this planet; it’s one of the biggest reasons I chose not to have children. Some of the population rise is because people are living longer overall. Organ donation helps facilitate that, though it’s hardly the biggest factor. I don’t think helping organ recipients live a few years longer (or even decades, as we improve post-transplant medicine) is that big an impact compared to how poorly people use natural resources. We could be a lot wiser with our consumption, make birth control and information on how to use it universally available to lower the birth rate, and make room for a few successful organ recipients while we’re at it.

I’ve also seen it said that organ donors are “cheating death”. Well, so what? I cheated death several years ago. I had a nasty case of diverticulitis that turned into peritonitis that put me on 48 hours of IV antibiotics, and I likely would have died had I not gotten that medical attention. Should I have just let nature take its course and died at the age of 31? Taken a chance on some herbs maybe working quickly enough to kill the fast-moving infection in time? Would you prefer I wasn’t here? And would you like to tell organ recipients that they should have died instead? Because that is what I hear people say when they say organ recipients cheat death.

Finally, I feel a responsibility toward other humans to make what resources I am no longer using available to them. It’s a little more complicated than dropping unwanted clothing off at a shelter or taking excess art supplies to SCRAP, but the concept is the same to me. Some people refuse to donate because they think their organs will be wasted on those who in their mind don’t “deserve” them, or who won’t survive long post-transplant. Sure, my heart may go to someone who end up dying six months later because it just didn’t “take”. But it might also go to someone who gets to live another decade, in which they may finish that book they were writing, plant trees for future generations to enjoy, or simply bask in a few more glorious sunsets. My corneas may end up with someone who dies in an auto accident three years later–but then given that over 90% of cornea transplants are successful, they got three years of sight they wouldn’t have had otherwise. No one knows for sure who will get my spare parts, and as I’d be dead I’d have no control over it. But isn’t death the ultimate act of losing control anyway?

As a naturalist pagan, my primary loyalty is to this world and the beings I share it with. And it’s because I feel so deeply for all of this that I want to make the best use of what I have to offer, down to my very mortal remains. You may have very valid reasons for not being a donor, and I respect your reasons, and if applicable your disagreement. But for me, organ donation is just one more part of my spiritual path, one that will continue my journey beyond death itself–even if I’m not around to see it happen.

Go here for information about being an organ and tissue donor in the U.S.

Go here for information on being a bone marrow donor in the U.S.

Did you enjoy this blog post? Want to encourage me to keep writing about various pagan-related topics? Consider buying one of my books, or become my Patron on Patreon for as little as $1/month!

#notinmypaganism

So for those who aren’t already aware, the Asatru Folk Assembly FB page had a post earlier this week that pretty clearly shows their support of both racist ideals and rigidly narrow gender roles. In the event it ends up taken down, here’s a screen shot:

screenshot1

Along with a couple of the comments they didn’t delete:

screenshot2

screenshot3

They make it VERY clear their organization isn’t open to anyone who isn’t white–never mind that “white” was a contrived term that not only erased the cultural differences of people from many different European backgrounds but also deepened divisions among people based on skin color. Plus check out the very overt message that QUILTBAG* people aren’t allowed, either. And before you try to defend the AFA as only being about the promotion of European heathen traditions, notice how the comment about “Semite” “poison and tricks” was never deleted, while comments that the AFA folks didn’t agree with have been getting removed within minutes. If that’s not approval of white supremacy, I don’t know what is.

There is nothing wrong with wanting to practice the religion of your pre-Christian ancestors. But “white people” are not an endangered species in need of protection, nor should European paganisms be closed off from people of non-European heritage. Considering the amount of travel and trade the Norse and other Europeans did with other communities for centuries, there was plenty of intermarriage with non-European people anyway, so there goes your notion of historical “racial purity”. And given that a lot of heathens practice ancestor veneration, racial purity is a pretty big insult to those non-white ancestors and the people who loved/married/etc. them and considered them family. As to the insistence on men being men and women being women in a heteronormative framework, the All-Father Odin practiced the women’s art seidr, Loki became a mare and gave birth to a colt, and women were often trained to fight alongside men. Even among the Norse things were not always that cut and dried when it came to gender roles.

We pagans have known for decades there were bigots in our ranks, particularly those espousing “folkish” viewpoints–and now there’s absolutely no doubt whatsoever. Not all heathens consider themselves part of the pagan community (and definitely not all of them are racists!), but enough heathens of all sorts come to pagan events and otherwise share in pagan spaces that this declaration by the leadership of one heathen organization is relevant to paganism as a whole.

As someone who has walked a pagan path for twenty years, as someone who has written multiple books and led rituals and taught many in workshops and classes, as someone who is seen by some as at least a minor authority, and as someone who fully intends to continue being a part of the pagan community, I say: the stance of the Asatru Folk Assembly is not a part of my paganism.

White supremacy spewing hatred and racist fearmongering against racial and ethnic minorities? Not in my paganism.

Discrimination against QUILTBAG people? Not in my paganism.

Gender essentialism in which men must be one way and women must be another? Not in my paganism.

Insisting that the only “real” family is the nuclear, heterosexually-based family while all others–blended families, single parent families, childless families, families with gay parents–are invalid? Not in my paganism.

Allowing the bigotry that pervades the dominant culture to infiltrate our community without a fight? Not in my paganism.

Not in my paganism. Not in my paganism. #notinmypaganism.

*QUILTBAG = Queer, Undecided, Intersex, Lesbian, Transgender, Bisexual, Asexual, Gay

The Tarot: Major, Minor and Me

Over the past few months, as I’ve been working on the Tarot of Bones, I’ve had the opportunity to reassess my relationship with this particular divination system. Like many newbie pagans, back in the 1990s I was eager to jump into all sorts of exciting topics of study and practice. I found I had a halfway decent affinity for divination, and so between the Shapeshifter Tarot and a set of elder futhark runes I carved from natural chalk found in a Missouri creek, I began practicing this ancient art. Also like many new diviners, I found myself sticking pretty closely to my books as I parsed out meanings of card and layouts and queries. Then in 1999 I discovered Ted Andrews’ Animal-Wise deck, and thus began a love affair that lasts to this day. I left behind traditional tarot, and delved into a more organic, nature-based form of divination.

When I was preparing last year to start creating the Tarot of Bones, I took the opportunity to revisit my relationship with the more traditional aspects of the tarot. What I found surprised me: even though I hadn’t been actively reading tarot in over fifteen years, I found my personal interpretations of the cards to be deeper and richer, as well as more personal, than they had ever been. All those years doing totem readings with the Animal-Wise deck had vastly improved my pattern recognition and intuition skills, and so I could focus primarily on reacquainting myself with the tarot as a specific system.

Not surprisingly, the Major and Minor Arcana each have distinct personalities and bailiwicks. I think of the Major Arcana as a sort of pageant, with actors in specific archetypal roles, telling the Fool’s Journey through trial and triumph. Death and the Tower bring about massive, sometimes terrifying changes, but these are integral to moving the story along so that the Star and Judgement and others can even things out again. I don’t see the Majors (or the Court Cards) as representing individual people so much, though I know that’s a common way to interpret them in readings. Rather, I see them as the grand mythical forces that run through the lore and cultures of people worldwide. They are the experiences shared among a species, grand and poetic and given a stage through epic tales. They rock us to sleep every night as children, and they see us into our dreams–and our deaths.

The Minor Arcana, on the other hand, are the everyday people watching the pageant as it proceeds through its stages. Once the Fool has greeted the World and all the players bow for applause and roses, the audience goes back to lives as artisans and lawyers, retail workers and cooks, tech professionals and musicians and students. The Minor Arcana includes the cards of the individual and the intimate. We’ve all had sleepless nights full of worry, and we’ve all had joyous moments of celebration with others. We know the small, petty conflicts that can blow up into great drama, and the seemingly enormous accomplishments that, in the grand scheme of things, don’t make a lot of difference to anyone but ourselves (and that’s okay.) The Courts, in particular, refer to states of being I can aspire to (or avoid!), rather than telling me to look for a dark-haired man (I only have to go as far as the next room in my apartment to find one of those. Hi, honey!)

So what’s the difference between the Majors and Minors in my readings? The way they’ve been lining up lately is that when a Major comes up, I look outward, into the greater patterns and machinations of humanity. Turn over a Minor Arcana card, and I look inward, or very close to me. Rarely will the reading bring up an individual person; mine tend more toward patterns and situations, often involving other people, sometimes myself alone. Of course, these are generalizations. There are always exceptions. Sometimes a Major will want to get up close and personal, and sometimes a Court or Pip will remind me that those deep moments of isolation or bursts of inspiration speak to much larger social or species-wide currents.

Of course, this is just a discussion of the strictly tarot-flavored elements of my readings. As the Tarot of Bones develops, the animals themselves are speaking up, particularly in the Major and Court cards. But that set isn’t finished yet, and so our conversation is still ongoing.

Do you enjoy my writing? Want to get sneak peeks of blog posts and work in progress shots of artwork, as well as care packages full of my art and books each month? Consider becoming my Patron on Patreon, starting at just $1/month!

Book Review: Wyldsight by Satyros Phil Brucato

Wyldsight: Tales of Primal Fantasy
Satyros Phil Brucato
Quiet Thunder Productions, 2013
70 pages

I confess I don’t read a lot of fiction. Crazy, I know–I used to devour fantasy novels in the late 90’s and 2000s, to the point where I would sometimes bring my bank account down to almost nothing in college. But as I got older, I learned I could fill in some of the gaps in my education myself, and so I became a dedicated nonfiction reader. These days I don’t get nearly as much time to read as I would like, and I’m mostly researching topics relevant to my work. So when I get to dig into a piece of good fiction, it’s a rare treat.

I’ve known the author of this little book of short stories for a few years now; I picked it up from him this past February at HowlCon, Portland’s wolf and werewolf convention (yes, we have one of those!) And yes, I did get it signed, because that’s one of the perks of buying direct from the author. Once I got home, the book sat for a few weeks while I finished up a much thicker tome, and was quite ready for lighter fare by the time I was done.

I say “lighter” to a limited degree. Brucato’s writing may be easy on the eyes, but the imagery bursts into full blossom the moment it hits the brain. Each one of these stories focuses on a wild woman, not the sort you find drunk and covered in Mardi Gras beads even in the middle of August, but the sort who lives in the true wilderness with wolves and dragons as her companions. You may be thinking of overdone tropes, but hear me out: this author has managed to pare away schlock and self-conscious moodiness to leave nothing but an excellent set of tales. Stories are everywhere; myths are ancient. But tales–those are for the telling.

And tell he does. There’s a revision of Little Red Riding Hood that blows away any other retelling I’ve found, and I’ve read a lot of them. There’s a feral re-imagining of the princess and the dragon with bare feet on warm stones and laughter in the dark. There’s a werewolf who wars within herself and finds a bit of truth on a littered beach. These and more hide in the pages of this book, and even the briefest story may leave the reader yearning to follow the protagonist deeper into the wild. Beyond the tales are backstories, more about how these pearls were created and what makes each one shine so brightly. And there’s a bit of a surprise at the very end…

Though what the end of the book left me with is the hope that someday he’ll write a novel in the same spirit, because I want to see more into the worlds that are born in his mind.

You may purchase this book in paperback or ebook form here.

Totemism 201: Why Going Outside Matters

My apologies for the lack of posts as of late. February into March is generally a busy time for events in my vending and speaking schedule, and I’m just now entering a period where I’ll mostly be at home. I still have plenty of other things going on here in Portland, and the Tarot of Bones is still eating my life, but if all goes well there’ll be more blog posts. In my last post I said we were going to talk about a different topic. I’ve got one that’s really prominent in my head right now, though, so I’m going to cover it instead.

So in my travels over the last several weeks I’ve tried to get out into wilderness places at least a few times. I went hiking at Ed Levin County Park in San Jose while I was at PantheaCon, and on my way back home I stopped for a few hours to walk and drive around the Sacramento National Wildlife Refuge. Just this past weekend I did a bit of a birding hike at Minnehaha Falls Regional Park while in Minneapolis for Paganicon. All of these were excellent opportunities to appreciate species of wildlife I don’t normally get to see in Portland, and especially to appreciate the spring migration of dozens of species of bird.

I learned a lot in those excursions, but an experience at home helped to solidify some thoughts I’ve had about why this is so important to my totemic path. This morning I woke up just around dawn; my sleep schedule’s been a bit out of whack with all the travel through time zones and whatnot. So I headed into the living room to start checking email, and to enjoy the morning drama at the bird feeders on my porch. I have both suet and seed feeders, and it’s normal for me to get a variety of tiny feathered dinosaurs ranging from scrub jays to pine siskins to Northern flickers coming by for breakfast.

I’ve also recently discovered eBird, a joint effort by the Cornell Lab of Ornithology and the National Audubon Society. It’s a website that allows you to record your bird sightings, and I’ve been registering my feeder visitors as they show up. One of the entry fields asks for the sex of the bird, if you have that information handy. Some are pretty easy to discern–a male dark-eyed junco in Oregon looks very different from the female, being darker in color. Others, like scrub jays, have little to no sexual dimorphism. I’ve had a few Northern flickers by yesterday and this morning. On first glance the male and female look very much the same–brown with black barring on the back, and a black “bib” and spots on the chest, with either yellow or red shading on the the tail and wings. I wanted to be able to discern whether I had males or females–or both–showing up, so with a quick bit of Google research I found that the males tend to have a red or black spot on their cheeks.

Why is this important to totemism? Because the presence of both sexes indicates the strong possibility of nesting nearby, which means I can also keep an eye out at area trees for nesting holes and, if I’m lucky, young peeking their heads out as they get a bit older. Sure, I can also look up videos and articles about flicker family dynamics, but there’s something about getting to see it in person that I think would make my understanding of Flicker as a totem more full and vibrant.

See, the “meanings” of animal totems (here’s why I don’t like that concept, by the way) are largely drawn from the animals’ behavior and natural history. Scrub Jay was the first totem to greet me as soon as I moved to Portland almost right years ago, and its bold, brash curiosity was infectious as I began exploring my new urban home. Moving is always a stressful experience, even when it’s for positive reasons, and I’d spent a year in Seattle becoming progressively more depressed and unhappy. Rather than sinking deeper into that because I had to start all over in a new place yet again, I found myself drawn out into the world by a brilliant blue and gray bird.

And over the past eight years I’ve made more of a study of the natural history of this area, both Portland and beyond, from geology to climate to the various sorts of flora, fauna and fungi found in each place I’ve explored (and some I’ve yet to set foot in). I’ve deepened my connection to the land that’s embraced me, and I’ve created more substantial relationships with some of the totems here as well. I feel invested in this place and everyone who lives here, and I give more of myself than ever before.

Many totemists, especially newer ones, rely on totem dictionaries and feedback from on-topic internet forums and groups to get their information on what a totem “means” or whether an animal sighting was a message in disguise. While these can be useful at the beginning, eventually you have to drop the training wheels and figure things out for yourself. I’ve long said that what a particular totem tells me may not be what it tells you, and so coming to me and asking “What does Brown bear mean?” or “I saw a blue jay today, what does that mean” is useless. All I’ll tell you is to ask the totem itself, because that’s a relationship between the two of you.

And a big part of developing that relationship involves going outside–or, for those unable to do so, at least watching/listening/etc. from the window. Hell, barring all else there are books and documentaries and websites on all sorts of natural topics. Nature spirituality is meant to be about our connection with everything else, not just the human-dominated portions of the world, and if you only immerse yourself in dictionaries and forums you’re going to miss out on a lot. Going to wilder areas where we’re less of an influence serves to illustrate just how much we’ve affected the world around us, and what we stand to lose if we keep up our destructive ways. You can look at photos and video, but there’s nothing to compare with seeing it with your own eyes if you’re able to. A picture of a clearcut is devastating, but it’s nothing next to actually going out and walking through a devastated landscape where a forest has been torn down, being completely surrounded by shattered trunks and earth scraped bare.

It’s that sort of experience that helped me move from a “all about me” approach to totemism to a more balanced give and take. Totemism isn’t just about us, as I’ve talked about already, and in my next post I’ll be talking about why giving back through offerings and otherwise is crucial to one’s totemic practice.

A master list of Totemism 201 posts may be found here.

Did you enjoy this post? Please consider purchasing one or more of my books on totemism and related topics! They include more in-depth information on working with totems, to include topics not discussed in this essay series.

So Here’s What I Think of Patreon Seven Months In

I’ve had several people ask me how Patreon’s been working out for me, so I decided I’d just write out a post for general consumption. I started my account back in July 2014, and as of this writing I have 35 Patrons and a total of $531 in monthly pledges, which is pretty damned good, all told. Overall it’s been a worthwhile effort, but here’s a more detailed breakdown.

Benefits:

–It’s a fun way to connect with people who like my work and treat them to exclusive stuff.

I love connecting with fans of my work. If I can create something that makes someone else happy, then I’ve done a good job. Patreon is essentially a regular feed of my writing and art, both online and via snail mail. Patreon offers two different ways to get paid for your work, either a pledge per individual project or a flat pledge per month. I am a very frequent poster; in seven months I’ve posted almost 250 projects, or about 35/month. A lot of these are work in progress shots that are only visible to my Patrons, though the completed works are there, too. (I use the “activity” tab for updates and check-ins with my Patrons.)

So this means that every week my Patrons get an eclectic mix of work in progress shots, final projects, sneak peeks of blog posts that haven’t gone live, and whatever other fun things I decide to post. And then once a month I get to send out the monthly rewards. For those pledging $5 or more, that’s the profile I post of a different animal, plant or fungus totem each month. Starting at $15, I start mailing out actual physical goodies, ranging from art to books to the makings of a cabinet of curiosities. I really get a kick out of mailing these little “care packages” to folks, and I hope they look forward to them at least as much as I look forward to sending them.

–It’s a fairly steady amount of money each month.

The first of the month is always a challenge financially. Not only is rent due, but so are several other decent-sized bills. So it’s a real boon to get an extra chunk of change in the bank account right about then. Patreon usually starts charging Patrons the first of the month, though there have been one or two times where they were delayed for a couple of days. However, they’ve gotten faster about processing since I signed up, and the money generally shows up in my account within 24-48 hours after I initiate a transfer.

–It’s a great way to try out crowdfunding without a big risk.

If you’re thinking about crowdfunding but you’re unsure whether you’d get a project fully funded, Patreon is a good training ground. I’m planning an IndieGoGo (or similar) campaign this April to help fund the Tarot of Bones; it’ll be my first time-limited, single-project crowdfunding effort. Patreon has been a good way to gauge interest in my work, and to help me brush up on my promotional skills, and I feel more prepared for the spring fundraiser than I probably would have without Patreon.

Drawbacks:

–It’s not a 100% predictable amount of income.

People can sign up as your Patron at any time, but they can also end their Patronage at any time, too. And while Patreon emails you whenever someone signs up or changes the amount of their pledge, they don’t let you know when someone drops off, so it can be a little disappointing to go to your profile and see your pledge level has dropped unexpectedly. I have had former Patrons message me when they dropped their pledge to let me know why, which is always appreciated. But it’s best to see Patreon as a supplement unless you’re one of those rare folks who has hundreds of Patrons giving thousands of dollars a month.

–You don’t get to keep all the money that’s pledged to you.

Patreon takes a BIG chunk of money out. From their FAQ:

Patreon takes 5% and the creators cover the credit card transaction fees which are generally 4% across the site. Also remember that some pledges will fail due to declined credit cards. We’re happy if a creator sees around $0.90 of every dollar!

As as an example, of that $531 in pledges that I had at the beginning of February, after Patreon’s fees and two declined cards I received $463.88. It’s still a nice bit of money and I’m grateful for it, but I feel it’s important for readers to know that what it says I get per month on my profile won’t necessarily be what ends up in my bank account.

Additionally, I spend a fair bit of each month’s pledges in shipping costs. Granted, they’re factored into the pledges, but I routinely spend between $3 and $9 to ship an item to a Patron. This month my shipping charges were well over $100 because I promised if I hit $500/month in pledges I’d send all the Patrons who helped me achieve that goal a little natural history specimen as a gift, and so I had to send out over 30 packages, including a few international ones. Had this been a normal month I would have sent out seventeen packages, but the shipping would still have been in the $60 range.

–It’s a LOT of work.

When I started my Patreon account in July, I didn’t automatically have $500 worth of pledges flood in. I did hit the $100/month milestone within the first few days, which honestly blew my mind. And in January I managed to go from $401 to $531 in a matter of something like two days because I did a bunch of “Woohoo! Help me hit $500!” social media posts.

But in between $100 and $401 was a ton of work. As a self-employed creative person I have had to perfect the art of self-promotion–or at least work toward perfecting it. I mention it multiple times a week on Facebook, Tumblr and elsewhere. I talk it up when I vend in person. I let my online customers know about it. In short, I do my damnedest to let everyone know that “Hey! I have a Patreon and you can get all kinds of cool stuff that no one else gets if you sign up!

This means you have to be absolutely tireless in your promotion to make it work. I mean, if you already have a platform of tens of thousands of people ready to throw money at you then your Patreon should fill up quickly. But for the rest of us, it’s a hell of a slog, and I am absolutely grateful for every one of my Patrons, past and present. (And would-be–I know there are folks out there who’d love to pledge except they can’t afford even $1/month right now. Totally understandable.)

Platform-specific Complaints:

–No way to browse individual artists (“Creators”) as opposed to projects.

If you go to Patreon’s homepage, there are only a few ways to find Creators.  Below the initial “Hey, we’re Patreon!” video you can see five featured projects. And if you click on “Featured” on the bar at the top of the homepage you get a couple dozen more features projects. That “Featured” page also has a left menu of categories, but again it it only takes you to individual projects, not Creators. The only way you can find individual Creators who take pledges on a monthly basis rather than a project-by-project basis is if you search for their name or keywords in the search bar at the top of the site, so it’s well-nigh impossible to be discovered by a potential Patron who didn’t already know who you are.

I’ve contacted Patreon about this, and they claim they’re working on a solution, but I’ll believe it when I see it. As it is, I have to rely a lot more on my own promotion and the word of mouth of others than Creators who pledge per project.

–Back-end navigation is a little counterintuitive and disorganized.

You would think that if I wanted to edit my profile (which shows what I’m offering the world) AND my Patreon Manager (which tells me who’s pledging what) I would go to one central location, right? Nope. To get to the former there’s a dropdown menu accessible from the upper right-hand corner of the screen, marked by my logo. To access the latter, I have to click on “Home” (not “Patreon”), and then click on the little button that says “Patron Manager”.

And it just gets more unwieldy from there. Each month’s record of Patrons has its own individual page, meaning a lot of clicking through and having to compare each month from its own tab. I’m sure they’ll keep upgrading it, but for now it’s kind of a pain in the ass to navigate.

Conclusion:

Gripes aside, I see Patreon as a way to get guaranteed custom work each month. I have a group of people that I know I’ll be making art for, and I have people I know I’ll be sending books to, and I have folks who will be enjoying little exclusive treats in my feed throughout the month. I’m quite used to having to work hard promoting my stuff, so this is just one more thing for me to offer.

Speaking of that–if you want to be my Patron, here’s my account again! You can become my Patron for as little as $1/month, and help me keep writing posts like this one. And thank you!

Totemism 201: It’s Not Just About Us, Either

Okay, back to Totemism 201! In my last post, I talked about how totemism extends well beyond animals into plants, fungi, and other non-animal beings. One of the main points I made is that we tend to gravitate toward animal totems because they’re closer to us–we are, after all, animals ourselves. I’ve covered the tendency toward anthropocentrism in spirituality before, but I’d like to tie it specifically to totemism in this post.

Pick up any book on totemism, or surf to a website on the topic, and more often than not you’re likely to run into language that suggests that by reading this material you’ll learn how to unlock the secrets of totemic power and get what you need in your life. I recognize a lot of that is due to marketing, because how better to sell a book than to claim it holds the answers to someone’s problems? Unfortunately it seriously limits the possibilities for relationships with the totems, and relegates them to being tools you take out of a bag only when you need them.

There are plenty of folks who manage to move beyond the “gimme” mindset. However, even they may perpetuate language that encourages others to see totems as means to a personal end. There’s nothing wrong with asking totems and other spiritual allies for aid when you need it, but I don’t feel it should be the sole basis for your relationships with them, especially because “I want I want I want” is a very anthropocentric way of going about things.

If you see totems as aspects of the human psyche given animal and other non-human forms, you may wonder what the problem with anthropocentrism is. After all, they’re all in your head, right? Remember that the totems represent their species, and you can still help their physical counterparts. Anthropocentrism has damaged the physical environment in numerous ways, so any effort to see the world in a less human-dominated fashion can help improve the world for everyone.

So how can you begin to remove the anthropocentrism from your totemism?

–Don’t treat totemism like it’s just a way for you to improve your life. Back when I was talking about the potential pitfalls of totem dictionaries, one of the points that I made is that the dictionary format tends to emphasize a quick fix for our problems. Relationship troubles? Take one dose of Lovebird and call me in the morning. Sure, that’s a bit hyperbolic, but it illustrates the problem effectively.

To break out of that mindset, consider how you view the totems you work with. Who are they besides “Solution A for Problem B”? What happens once you get past the stereotyped “what does this totem mean?” Do you see them as friends? Family? Allies? Beings to be worshipped, or admired, or emulated? (It’s okay if you don’t have an immediate answer; it might take a while for you to really conceptualize your relationships with your totems.)

–Be mindful of how you talk about totems, both the ones you work with and in general. Even if you see the totems as independent beings who have a lot more going on than figuring out how to help you get a new job, if you use language like “Totems are here to teach us things!” you’re still perpetuating a more limited view of them. Instead, try talking about the entirety of your relationship with a given totem (or as much as you’re comfortable talking about). When someone asks you what Gray Wolf means (as one example) you might talk about not just things Gray Wolf has shown you, but also what you’ve done for that totem in return, how close you are, how the relationship has evolved over time, other totems Gray Wolf has introduced you to and why, etc. (This all, of course, depends on how much time and space you have to answer in.)

Moreover, encourage discussions on totems that go beyond “What does this totem mean and what can it do for me?” If you part of an online forum or an in-person group about totems, try starting a new topic. If you teach about totemism, even casually, make a point of going into more depth. Ask others about their experiences. Get the words flowing.

–Another way to reduce an anthropocentric approach to totemism is to get out of your comfort zone. As I’ve mentioned before, we tend to gravitate toward animal totems (especially Big, Impressive North American Birds and Mammals) because they’re most familiar to us. Challenging that familiarity helps us and broaden our attention, and moves us beyond our own priorities of personal comfort.

Start one step outside of your comfort zone. If you’ve primarily only worked with mammal totems, try working with a bird or reptile totem. Then take another step, and head into fish territory. Another step may get you in touch with any of a number of invertebrates. Beyond that there are the totems of fungi, plants, bacteria, and numerous other non-animal beings.

The more you put yourself into the mindset of an unfamiliar sort of being, the more aware you become of their priorities. Anthropocentrism relies on human concerns being the most important; by making yourself aware of the concerns of other beings, you loosen the grip of a human-centered worldview.

Those are just a few of the ways in which you can unseat anthropocentrism and move your totemism from “what do I get” to “what can we give each other”. Note that I mention “we” in that last statement. Your goal is not to completely subsume your wants and needs in favor of those of a totem or any other being. The totems don’t need mindless followers, nor do they need people running around in hair shirts, castigating themselves for having any personal needs whatsoever.

Rather, the goal is to regain a mutually beneficial relationship with the totems and their children. We are just one of millions of species on the planet, and we’ve forgotten that. Totemism 201 is about remembering our place, not in a sense of being humbled and chastened and “put in our place”, but in being one among many brilliant, amazing beings in this world.

In my next post I’ll be discussing how Totemism 201 is about approaches rather than practices, and why there’s no secret ritual that will magically make you an advanced practitioner.

A master list of Totemism 201 posts may be found here.

Did you enjoy this post? Please consider purchasing one or more of my books on totemism and related topics! They include more in-depth information on working with totems, to include topics not discussed in this essay series.

Totemism 201: It’s Not Just About the Animals

Alright, let’s try this again. I’ve been neglecting writing for a couple of weeks between running Curious Gallery, and recovering from running Curious Gallery (plus finally making some progress on the Tarot of Bones.) However, I haven’t forgotten about my blog readers, so here’s the next installment in Totemism 201!

Almost all of the material available on totemism concerns animal totems. Their plant, fungus and other counterparts are generally ignored; plants and fungi rarely get much attention beyond being used in herbalism and spells, and other than trees and hallucinogenic fungi few plant and fungus totems are addressed in specific. I’ve already addressed this topic before; here I’d like to talk more about what makes moving beyond the animals a Totemism 201 topic.

–Animals are the easiest for us to connect with.

We are animals, human apes. It’s generally easiest for us to connect with beings that we feel affinity toward, and so we can temporarily adopt the (perceived) mindset of a fellow animal more easily than that of, say, a dandelion or turkey tail fungus. If you look at the most common animal totems, you’ll notice that many of them are large mammals, easier for us to observe and interact with. The less like us we think an animal is, the less likely we are to work with its totem.

It’s even tougher for us to resonate with a non-human being. How do you think like a tree when trees don’t have brains? How do you learn life lessons from a fungus that live underground much of the time and, to our perception, doesn’t even move? Do bacteria and protists even have anything to teach us?

To be fair, it can be more challenging to communicate with a non-animal totem, even when we’re willing and interested. Their priorities for themselves and their physical counterparts are often different than what we might expect; my experiences with Black Cottonwood illustrated that as one good example. And they perceive the world in very different ways; many of them simply see us humans as one of a host of animals thundering our way across the landscape, here then gone in seconds. So they aren’t always as eager to open up to us as some animal totems.

So some people simply stick to what’s easiest and most familiar–animal totems, and more specifically Big, Impressive North American Birds and Mammals. For those who do venture into more seemingly alien territory, there are some potential benefits–read on.

–Non-animal totems encourage us to have a more systemic view of totemism

I’ve often talked about how many people seem to assume that totems simply float over our heads like parade balloons, waiting for us to notice them or call upon them for help. From my experience, they inhabit their own spiritual ecosystem (whether you feel that’s a figment of your psyche or an actual alternate dimension is up to you to decide.) And the plant and fungus totems aren’t just the set dressing for dramas involving the animal totems; rather as in our reality, the totems of all living beings interact with each other in a complex, multi-layered series of relationships.

This is why I’m skeptical when someone says they have only one totem, especially if they’ve been practicing totemism for a while. My experience has been that totems tend to introduce their people to fellow totems they have positive relationships with. Steller’s Jay, for example, introduced me to Douglas Fir, who also introduced me to Douglas Squirrel, Northern Flicker, and several other arboreal totems. Granted, my connection with Steller’s Jay is stronger than that with most of those others, but at least the introductions have been made and can develop organically from there.

Conversely, this also helps me to appreciate the totems as individuals, rather than one-dimensional stereotypes. Seeing how they interact together allows me to learn more about them both on their own and as a community. And it encourages me to value all the totems of an ecosystem, not just the animals.

–They also encourage us to respect living beings besides animals.

That value extends beyond the totems themselves to their physical counterparts. Animals are just one part of a series of complex and multi-layered ecosystems whose intricacies we don’t fully understand. With deeper connections to totems comes a greater sense of responsibility toward their physical counterparts, and many experienced totemists are also environmentalists of one sort or another. What we find as we become more engaged in environmental activism is that it’s tough to be effective when you’re a one-issue activist. Sure, lots of people want to protect gray wolves, but you can’t protect the wolves without protecting the animals they prey on, and you can’t protect the prey if the prey have nothing to eat and nowhere to go. So “save the wolves!” quickly turns into “save the elk”, “save the grasslands” and “save the migration routes.”

There’s a sort of chauvinism that encourages us to see non-animal beings as nothing more than set dressing for our own kind. But when we interact with their totems, and find that they’re every bit as spiritually adept and important as the animal totems, it makes us question that “plants are just scenery” viewpoint. But that’s good for us, really. Even if you strictly work with the animals, it behooves you to respect the plants, fungi and other living beings they rely on to survive and thrive. After all, we’re animals, and without the plants and fungi and bacteria, we wouldn’t be here either. So widen your view a bit, and appreciate your entire community, not just the ones closest to you in biology.

How do you get in touch with non-animal totems (if you aren’t already)? Well, a good start is to ask your animal totems to introduce you to some of the plant/fungus/etc. totems they associate with. Together, the totems can explain why they rely on each other and what sorts of spiritual implications that may have for you. You might also ask the animals which ones they don’t especially care for; there’s lessons to be learned from those more antagonistic relationships as well. (Just avoid calling on totems who don’t like each other in the same meditation/ritual/etc.)

You’re also welcome to simply go outside (in the physical world or in meditation) and see if any non-animal totems try to catch your attention. I’ve found that the plants and fungi, for example, have a tendency to be more subtle in their communications, and so we often miss when they’re doing the equivalent of yelling “HEY!” at us. Slow down, be more observant and receptive, and don’t necessarily look for the same signs you might with animal totems. Rather than seeing a particular plant, you might feel a gentle tug in a particular direction that brings you to that being and its totem. Or you might feel drawn to sit beneath a large tree whenever you go by it, not for the tree’s sake but for the fungus growing on its bark.

As you work more with non-animal totems you’ll learn more of their unique ways of communicating, their priorities, and the things that make them unique. Totemism really isn’t just an animal thiings, and in my next post I’ll talk about why totemism isn’t just about us humans, either.

A master list of Totemism 201 posts may be found here.

Did you enjoy this post? Please consider purchasing one or more of my books on totemism and related topics! They include more in-depth information on working with totems, to include topics not discussed in this essay series.

Totemism 201: Why Species Are Important

In my last post, I mentioned that many totem animal dictionaries tend to categorize totems according to general groups of animals, not individual species. A good example is “Deer”; most of them probably mean “Whitetail Deer”, but there are plenty of other deer species as well with their respective totems. How, for example, might the totem Fallow Deer be different from Whitetail Deer? Or Indian Muntjac? Or Moose (the biggest deer of all!)? These are very rarely, if ever, explored in dictionary-style totem books and websites.

It’s even worse the further you get away from the Big, Impressive North American Birds and Mammals. Last time I talked about how the totems of the thousands of species of spider are often shoved into one “Spider” entry in your standard totem dictionary. Never mind that the life of an orb-weaver like the golden garden spider is very different from that of a ground-hunting Carolina wolf spider, and their totems are quite different from each other as well. The Spider entry extols the virtues of a generic orb-weaving critter, and doesn’t invite a person to get to know the personalities and teachings of individual species’ totems.

About the only time most writers on totemism try to differentiate species is either when the totem is of some singular animal that is the only species in its genus, such as the cheetah, or when they wrongly assume an animal is a distinct species. If there were multiple species of cheetah alive today, no doubt totemic writers would shove all of them into one “Cheetah” category. However, they’d probably still insist on treating melanistic leopard and jaguars (or “black panthers”) as distinct from their spotted counterparts. In truth, the only thing that makes black panthers different from spotted leopards and jaguars is the amount of melanin in their fur; it’s a matter of a genetic mutation, nothing more. The totem Jaguar still watches over all jaguars, whether spotted, solid, leucistic or albino, and the same goes for Leopard and her children. Yet it’s our misinformed bias that makes us think that black leopards and jaguars are somehow more mysterious than the rest–we get stuck on the cover of the book, as it were, rather than diving into the pages themselves. If you think your totem is Black Panther, then figure out whether you’re actually talking with Leopard or Jaguar (or even an extinct species of panther), and go from there.

Why is it so important that we pay attention to species when working with totems, even the totems of similar animals?

–Even the totems of similar species may have very different things to tell you

When I was growing up in the Midwest, I was surrounded by blue jays, rather loud and raucous corvids that are well-nigh ubiquitous east of the Rockies. And while Blue Jay was never one of my main totems, I did have occasion to work with him now and then. He struck me as brash, rude, and sometimes intentionally obnoxious, though still likable. Fast forward to seven and a half years ago when I moved to Portland, and within the first month Steller’s Jay, Blue Jay’s cousin, had enticed me out into the wilderness areas around the city. Steller’s Jay, while also a rather extroverted and loquacious totem, was much friendlier and mellow in personality. Had I just lumped them both into the general category of “Jay”, I might have come up with a totem that was loud and bold, but missed out on the individual traits of Blue Jay and Steller’s Jay.

And that’s one of the primary dangers of shoving several totems into one category–you aren’t letting each totem fully express itself. Going back to the not-really-a-totem Black Panther, if you get stuck on the color of melanistic jaguars and leopards and don’t instead look at what makes each species unique, you may as well just make a study of the color black and ignore the animals altogether.  If you talked to Jaguar and Leopard as individuals, though, you might find that Jaguar (being a water-loving cat) wants you to focus on being comfortable in multiple settings, not just the ones that are easiest for you, while Leopard (who hates water) may urge you to play to your strengths, as just one example. Or you might find that it’s Jaguar who wants to work with you and keeps showing up in his melanistic form, while Leopard doesn’t have much to offer you.

–It encourages appreciation of biological diversity

Despite our attempts to exterminate massive numbers of species on this planet, Earth is still host to a mind-boggling array of animals, plants, fungi and other living beings. Only a scant few ever make it into totem dictionaries; many have never even been identified by science. By limiting our focus to general categories like “Bear” or “Pine”, we’re losing out on the ability to engage with what makes each species unique and how each contributes to its ecosystem(s).

Let’s look at foxes, for example. There are twenty-four species of fox, yet when most totem dictionaries talk about the totem Fox, they really mean Red Fox in particular. This doesn’t take into account Gray Fox, Swift Fox, and all the other foxes that range across habitats varying from sandy deserts to Arctic tundra, wide forests to tiny islands. I’ve worked with several of the Fox totems, and they’re an incredibly fascinating group. As with Blue Jay and Steller’s Jay, I wouldn’t have been able to appreciate their individual natures if I’d just tried to work with “Fox”.

When we foster a greater appreciation of biological diversity, we often want to protect it. I am constantly amazed every time science discovers a new species, and the many ways in which life manifests are an unending source of joy and wonder for me. But I also know how threatened that diversity is, and so I act to try and protect it as best as I can. When we know exactly what we have to lose, we’re more motivated to keep it safe.

–It can help you connect more deeply to your local bioregion

This doesn’t just go for the diversity of species, either. Species exist in habitats and ecosystems, and living beings interact with landforms, climate and other natural features and forces in interrelated systems. A bioregion is a portion of land that has more or less the same sorts of living beings, geology, weather pattern and other features; it’s often defined by the watershed of the largest river in the area.

Now, it’s okay if you have a totem whose children are native to someplace you’ve never been. But when you work with totems native to your bioregion, there’s more potential both for learning from them and gaining a deeper connection to the land you live on. When I was growing up in Missouri, I was very close to the land; while I didn’t recognize totems per se, their influence was there nonetheless. I moved away after college, and it wasn’t until I moved to Portland that I developed a similarly strong connection to the land. This was facilitated in large part by the totems I worked with, first Steller’s Jay and Scrub Jay, and then an increasingly diverse host including Douglas Fir, Poison Oak, Black Morel, and many others. My totemism ceased to be solely about what sorts of changes I could make in my life and shifted into a more mutually beneficial set of relationships. These days I am an active environmentalist and advocate for nonhuman nature in the Northwest and elsewhere; I also work to reconnect my fellow humans with the rest of nature for the benefit of all involved, and a lot of that is due to my totemic work.

–It’s good practice to get better at totemism

When you rely on a totem dictionary to give you the answers, you’re taking the easy way out. All you have to do is look up the animal, plant or other totem in question, read whatever the author determined was important, and voila–instant gratification! Unfortunately, this really doesn’t prepare you for what happens when you run across a totem that isn’t in any book, or when a known totem starts talking to you about lessons and concepts that aren’t in any of the stereotyped meanings offered by the plethora of dictionaries out there. I’ve lost track of how many times I’ve seen someone ask on a totem-related forum or group “I can’t find anything about Elephant Shrew/Miner’s Lettuce/Black Mold as a totem! Can anyone tell me what it means?” We expect to be spoon-fed enlightenment, and we cheat ourselves dearly in the process.

Working with the totems of individual species helps you break out of that 101 rut. For one thing, you have to be aware that there are several species, not just “Swan” or “Maple”. And you have to research which one you’re talking to. But then you can’t be sure if whatever dictionary entry you happen to find applies to the species-specific totem in question; the information on Crow may apply mostly to the American Crow, but what if your totem is Jungle Crow? You can’t just fall back on a generic “Crow” entry then, not without risking missing a lot of what Jungle Crow has to say. You have to do the work yourself.

And you’ll be better off for it, too. It requires you to be better at communicating directly with the totems, and not just the ones that come easily to you. You’ll figure out how to tell whether a totem is happy or upset to see you (even if it doesn’t say a word to you), or whether it’s even interested in you at all. Over time you’ll develop more ways to work with the totems, from formal rituals to daily practices, and you’ll get better at noticing when a new totem is trying to get your attention (and when it’s just wishful thinking and confirmation bias on your part.) Best of all, you won’t have to go through the process of asking some stranger on the internet “Hey, what does this totem mean?” because you’ll know how to find out for yourself–and that’s empowering.

–What about hybrids and subspecies?

There are plenty of animals that can hybridize with each other, and often do in nature. Blue jays and Steller’s jays largely keep to their own territories, but in a few places where the ranges meet they’ve been known to crossbreed. Horses and donkeys can produce both mules and hinnies (depending on who was the father and who was the mother.) And red wolves may be a long-established hybrid of the gray wolf and the coyote, while the brush wolf is a more recently recognized cross of the two species. Even within a recognized species there may be several subspecies; the Arctic wolf, dingo and domestic dog are all considered subspecies of the gray wolf.

So how do we deal with species-specific totems in these cases? Longevity has a lot to do with it. The red wolf has been a distinct enough being, genetically and phenotypically, that it’s considered its own species, and it has its own totem. While there have been wolf-coyote hybrids since the advent of the red wolf, these have largely been watched over by Gray Wolf and Coyote, and in my experience Brush Wolf has not yet materialized as a unique totem.

Subspecies are generally close enough to each other to not require their own totem; Gray Wolf does watch over eastern timber wolves and Arctic wolves alike. However, sometimes a subspecies takes on enough of a life of its own that a unique totem emerges from its energy; Dingo and Domestic Dog are both examples of cases where wolves were so significantly changed by their relationships with humans and their environment that they diverged widely from “wolf-ness”. The totems Gray Wolf, Dingo and Dog are all very close to this day, and will often work together in rituals and other activities.

Keep in mind, of course, that this is all based on my own experiences, and your mileage may vary. At any rate, I hope I’ve impressed upon you the importance of working with the totem of a species, not a generic group. In my next post I’ll be talking about why totemism isn’t just about animals, why you may wish to work with plant, fungus and other non-animal totems, and the importance of the totemic ecosystem.

A master list of Totemism 201 posts may be found here.

Did you enjoy this post? Please consider purchasing one or more of my books on totemism and related topics! They include more in-depth information on working with totems, to include topics not discussed in this essay series.