Animals, Book Reviews, Books, Environmentalism, Science

Book Review: In the Field, Among the Feathered

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In the Field, Among the Feathered: A History of Birders and Their Guides
Thomas R. Dunlap
Oxford University Press, 2011
242 pages

Every now and then there’s a book that, when I see it, I instantly think “I have GOT to read this NOW”. Not add it to a wish list, or my always-enormous to-read pile, but read it as soon as I possibly can. This was one of those books, and appropriately enough its subject matter is another sort of text I tend to dive into: field guides. More specifically, it covers birding guides, those books cataloging all the species of a given region, country, or even the entire planet. But they weren’t always so all-encompassing, nor did they start out as the carefully organized, colorfully illustrated resources we have today.

In the Field, Among the Feathered is a detailed exploration of both the history of birding and the guide books that tried to meet the needs of this ever-expanding pursuit. Many of us are familiar with the conservation activities of the Audubon Society and the popularity of backyard bird feeders, but birding was once a much more competitive activity–and still is to an extent today. Dunlap takes what could have been a fairly dry topic full of bird nerds and makes it into a century-long story complete with a wide cast of characters, cooperatives and rivalries that alone would have made a nice book.

But it is the history of birding guides that adds even more dimension to the tale. We no longer have direct access to the pioneers of Western birding. We do, however, have a library of texts chronicling both their adventures and their priorities, filtered into user manuals for seeking the wild avian. From the Victorian Birds Through an Opera Glass by Florence Bailey to the prestigious guides put out by Peterson today, these books show how birders went from casual sightseers in nature, to competitive naturalists, to dedicated citizen scientists.

This is a fantastic book for any nature lover, particularly those obsessed with the tiny dinosaurs that flit through our cities and fields. It’s also a fine history text, full of good information while keeping the reader engaged with a great narrative. Whether you’re a birder yourself, a lover of niche subjects, or simply looking for a book to curl up with for a few hours, I highly recommend this book to you.

You may purchase this book here.

Activism, Animals, Anthropocentrism, Cosmology, Environmentalism, Ethics, Paganism, Psychology, Science

The Pagan Ape

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Just a quick reminder that I still blog over at Paths Through the Forests, the Patheos blog that I share with Rua Lupa. My newest post there, “The Pagan Ape“, went live this morning. In it I discuss our detachment from nature, the effects that detachment has, and what I feel our responsibility as pagans and humans may be to the planet. Read the post here!

Animals, Books, Writing

Book Review: Wyldsight by Satyros Phil Brucato

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Wyldsight: Tales of Primal Fantasy
Satyros Phil Brucato
Quiet Thunder Productions, 2013
70 pages

I confess I don’t read a lot of fiction. Crazy, I know–I used to devour fantasy novels in the late 90’s and 2000s, to the point where I would sometimes bring my bank account down to almost nothing in college. But as I got older, I learned I could fill in some of the gaps in my education myself, and so I became a dedicated nonfiction reader. These days I don’t get nearly as much time to read as I would like, and I’m mostly researching topics relevant to my work. So when I get to dig into a piece of good fiction, it’s a rare treat.

I’ve known the author of this little book of short stories for a few years now; I picked it up from him this past February at HowlCon, Portland’s wolf and werewolf convention (yes, we have one of those!) And yes, I did get it signed, because that’s one of the perks of buying direct from the author. Once I got home, the book sat for a few weeks while I finished up a much thicker tome, and was quite ready for lighter fare by the time I was done.

I say “lighter” to a limited degree. Brucato’s writing may be easy on the eyes, but the imagery bursts into full blossom the moment it hits the brain. Each one of these stories focuses on a wild woman, not the sort you find drunk and covered in Mardi Gras beads even in the middle of August, but the sort who lives in the true wilderness with wolves and dragons as her companions. You may be thinking of overdone tropes, but hear me out: this author has managed to pare away schlock and self-conscious moodiness to leave nothing but an excellent set of tales. Stories are everywhere; myths are ancient. But tales–those are for the telling.

And tell he does. There’s a revision of Little Red Riding Hood that blows away any other retelling I’ve found, and I’ve read a lot of them. There’s a feral re-imagining of the princess and the dragon with bare feet on warm stones and laughter in the dark. There’s a werewolf who wars within herself and finds a bit of truth on a littered beach. These and more hide in the pages of this book, and even the briefest story may leave the reader yearning to follow the protagonist deeper into the wild. Beyond the tales are backstories, more about how these pearls were created and what makes each one shine so brightly. And there’s a bit of a surprise at the very end…

Though what the end of the book left me with is the hope that someday he’ll write a novel in the same spirit, because I want to see more into the worlds that are born in his mind.

You may purchase this book in paperback or ebook form here.

Artwork, Books, Crowdfunding, Writing

Important Addition to My Patreon Account!

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Hey, all! By request I’ve added another level of patronage over at my Patreon! Some of my $15 art Patrons requested an intermediate level between that and the deluxe $60 level. So there’s now a $35 level, which allows me to make something extra-spiffy and get it shipped to you each month. Head to https://www.patreon.com/lupagreenwolf to sign up for the patronage package of your choice, whether that’s books or art or curiosities, or simply the opportunity to get sneak peeks of my works in progress!

Animal Totems, Animals, Anthropocentrism, Bioregion, Cosmology, Environmentalism, Hiking, Paganism, Totemism 201, Totems

Totemism 201: Why Going Outside Matters

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My apologies for the lack of posts as of late. February into March is generally a busy time for events in my vending and speaking schedule, and I’m just now entering a period where I’ll mostly be at home. I still have plenty of other things going on here in Portland, and the Tarot of Bones is still eating my life, but if all goes well there’ll be more blog posts. In my last post I said we were going to talk about a different topic. I’ve got one that’s really prominent in my head right now, though, so I’m going to cover it instead.

So in my travels over the last several weeks I’ve tried to get out into wilderness places at least a few times. I went hiking at Ed Levin County Park in San Jose while I was at PantheaCon, and on my way back home I stopped for a few hours to walk and drive around the Sacramento National Wildlife Refuge. Just this past weekend I did a bit of a birding hike at Minnehaha Falls Regional Park while in Minneapolis for Paganicon. All of these were excellent opportunities to appreciate species of wildlife I don’t normally get to see in Portland, and especially to appreciate the spring migration of dozens of species of bird.

I learned a lot in those excursions, but an experience at home helped to solidify some thoughts I’ve had about why this is so important to my totemic path. This morning I woke up just around dawn; my sleep schedule’s been a bit out of whack with all the travel through time zones and whatnot. So I headed into the living room to start checking email, and to enjoy the morning drama at the bird feeders on my porch. I have both suet and seed feeders, and it’s normal for me to get a variety of tiny feathered dinosaurs ranging from scrub jays to pine siskins to Northern flickers coming by for breakfast.

I’ve also recently discovered eBird, a joint effort by the Cornell Lab of Ornithology and the National Audubon Society. It’s a website that allows you to record your bird sightings, and I’ve been registering my feeder visitors as they show up. One of the entry fields asks for the sex of the bird, if you have that information handy. Some are pretty easy to discern–a male dark-eyed junco in Oregon looks very different from the female, being darker in color. Others, like scrub jays, have little to no sexual dimorphism. I’ve had a few Northern flickers by yesterday and this morning. On first glance the male and female look very much the same–brown with black barring on the back, and a black “bib” and spots on the chest, with either yellow or red shading on the the tail and wings. I wanted to be able to discern whether I had males or females–or both–showing up, so with a quick bit of Google research I found that the males tend to have a red or black spot on their cheeks.

Why is this important to totemism? Because the presence of both sexes indicates the strong possibility of nesting nearby, which means I can also keep an eye out at area trees for nesting holes and, if I’m lucky, young peeking their heads out as they get a bit older. Sure, I can also look up videos and articles about flicker family dynamics, but there’s something about getting to see it in person that I think would make my understanding of Flicker as a totem more full and vibrant.

See, the “meanings” of animal totems (here’s why I don’t like that concept, by the way) are largely drawn from the animals’ behavior and natural history. Scrub Jay was the first totem to greet me as soon as I moved to Portland almost right years ago, and its bold, brash curiosity was infectious as I began exploring my new urban home. Moving is always a stressful experience, even when it’s for positive reasons, and I’d spent a year in Seattle becoming progressively more depressed and unhappy. Rather than sinking deeper into that because I had to start all over in a new place yet again, I found myself drawn out into the world by a brilliant blue and gray bird.

And over the past eight years I’ve made more of a study of the natural history of this area, both Portland and beyond, from geology to climate to the various sorts of flora, fauna and fungi found in each place I’ve explored (and some I’ve yet to set foot in). I’ve deepened my connection to the land that’s embraced me, and I’ve created more substantial relationships with some of the totems here as well. I feel invested in this place and everyone who lives here, and I give more of myself than ever before.

Many totemists, especially newer ones, rely on totem dictionaries and feedback from on-topic internet forums and groups to get their information on what a totem “means” or whether an animal sighting was a message in disguise. While these can be useful at the beginning, eventually you have to drop the training wheels and figure things out for yourself. I’ve long said that what a particular totem tells me may not be what it tells you, and so coming to me and asking “What does Brown bear mean?” or “I saw a blue jay today, what does that mean” is useless. All I’ll tell you is to ask the totem itself, because that’s a relationship between the two of you.

And a big part of developing that relationship involves going outside–or, for those unable to do so, at least watching/listening/etc. from the window. Hell, barring all else there are books and documentaries and websites on all sorts of natural topics. Nature spirituality is meant to be about our connection with everything else, not just the human-dominated portions of the world, and if you only immerse yourself in dictionaries and forums you’re going to miss out on a lot. Going to wilder areas where we’re less of an influence serves to illustrate just how much we’ve affected the world around us, and what we stand to lose if we keep up our destructive ways. You can look at photos and video, but there’s nothing to compare with seeing it with your own eyes if you’re able to. A picture of a clearcut is devastating, but it’s nothing next to actually going out and walking through a devastated landscape where a forest has been torn down, being completely surrounded by shattered trunks and earth scraped bare.

It’s that sort of experience that helped me move from a “all about me” approach to totemism to a more balanced give and take. Totemism isn’t just about us, as I’ve talked about already, and in my next post I’ll be talking about why giving back through offerings and otherwise is crucial to one’s totemic practice.

A master list of Totemism 201 posts may be found here.

Did you enjoy this post? Please consider purchasing one or more of my books on totemism and related topics! They include more in-depth information on working with totems, to include topics not discussed in this essay series.

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You’re Invited To My Party!

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Hey, folks in or near Portland–I’m having a party! Specifically, I’m celebrating the launch of the IndieGoGo campaign with a nice little art display and soiree at Paxton Gate (4204 North Mississippi Avenue) the Friday after the campaign goes live. On Friday, April 10 from 6pm – 8pm you’ll get to hear me talk about the project, ask me questions about my work, and check out some of the original assemblage pieces for the Tarot of Bones, all while DJ Numinosis of A Darker Shade of Pagan provides a musical atmosphere for the evening. Details at https://www.facebook.com/events/793664124016510/

Animal Totems, Animals, Anthropocentrism, Bioregion, Books, Cosmology, Environmentalism, Fungus Totems, Plant Totems, Plants, Totems

Announcing My Next Book – Nature Spirituality From the Ground Up: Connect with Totems in Your Ecosystem

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[Note: I know I’ve been pretty quiet the past few weeks. I’ve been out of town a LOT–PantheaCon, Mythicworlds, a few out of town errands. I’m going to be gone again next week, where I’ll be at Paganicon in Minneapolis as a Guest of Honor (woohoo!), though in the meantime you can catch me at the Northwest Tarot Symposium this upcoming weekend in Portland. I should be able to get back to some writing later in the month, if all goes well! Also, head over to the Tarot of Bones website to see my progress on that particular giant project–and find out more about my very first IndieGoGo campaign coming soon! Thanks for your patience.]

I am pleased to announce that I have signed the contract for my third book with Llewellyn Worldwide, entitled Nature Spirituality From the Ground Up: Connect With Totems in Your Ecosystem! For those who really enjoyed the bioregional totemism chapters in New Paths to Animal Totems and Plant and Fungus Totems, this book is for you!

Within its pages I offer ways to connect with the land you live on through the the archetypal representatives of animals, plants, fungi, minerals, waterways, even gravity and other forces of nature. Written from a nonindigenous perspective, it offers tools, practices and meditations for those who seek a more meaningful relationship with the land than the consumer-driven destruction all too common worldwide. And it encourages viewing the world through a more eco-friendly lens and inviting others to do the same.

Most importantly, it’s my answer to our tendency to make nature spirituality all about us. Rather than being full of ways to get things from the totems, it’s about forming relationships with them and partnering with them to undo some of the damage we’ve done. While bettering yourself is a part of that, I avoid the all-too-common “Harness the power of your totem to get what you want!” attitude.

I don’t yet have an exact release date, but it’s due to be in the Llewellyn winter catalog, and I’ll keep you posted! In the meantime, just a reminder–I have a perks package on my Patreon where if you pledge at the $25/month level ($35 for non-US folks) for seven months, you’ll get one of my current books or anthologies each month, and at the end of those seven months you’ll be automatically added to the preregistration list for Nature Spirituality From the Ground Up. Then when it comes out, I’ll send you a copy for absolutely free!

Artwork, Creativity, Crowdfunding, Writing

So Here’s What I Think of Patreon Seven Months In

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I’ve had several people ask me how Patreon’s been working out for me, so I decided I’d just write out a post for general consumption. I started my account back in July 2014, and as of this writing I have 35 Patrons and a total of $531 in monthly pledges, which is pretty damned good, all told. Overall it’s been a worthwhile effort, but here’s a more detailed breakdown.

Benefits:

–It’s a fun way to connect with people who like my work and treat them to exclusive stuff.

I love connecting with fans of my work. If I can create something that makes someone else happy, then I’ve done a good job. Patreon is essentially a regular feed of my writing and art, both online and via snail mail. Patreon offers two different ways to get paid for your work, either a pledge per individual project or a flat pledge per month. I am a very frequent poster; in seven months I’ve posted almost 250 projects, or about 35/month. A lot of these are work in progress shots that are only visible to my Patrons, though the completed works are there, too. (I use the “activity” tab for updates and check-ins with my Patrons.)

So this means that every week my Patrons get an eclectic mix of work in progress shots, final projects, sneak peeks of blog posts that haven’t gone live, and whatever other fun things I decide to post. And then once a month I get to send out the monthly rewards. For those pledging $5 or more, that’s the profile I post of a different animal, plant or fungus totem each month. Starting at $15, I start mailing out actual physical goodies, ranging from art to books to the makings of a cabinet of curiosities. I really get a kick out of mailing these little “care packages” to folks, and I hope they look forward to them at least as much as I look forward to sending them.

–It’s a fairly steady amount of money each month.

The first of the month is always a challenge financially. Not only is rent due, but so are several other decent-sized bills. So it’s a real boon to get an extra chunk of change in the bank account right about then. Patreon usually starts charging Patrons the first of the month, though there have been one or two times where they were delayed for a couple of days. However, they’ve gotten faster about processing since I signed up, and the money generally shows up in my account within 24-48 hours after I initiate a transfer.

–It’s a great way to try out crowdfunding without a big risk.

If you’re thinking about crowdfunding but you’re unsure whether you’d get a project fully funded, Patreon is a good training ground. I’m planning an IndieGoGo (or similar) campaign this April to help fund the Tarot of Bones; it’ll be my first time-limited, single-project crowdfunding effort. Patreon has been a good way to gauge interest in my work, and to help me brush up on my promotional skills, and I feel more prepared for the spring fundraiser than I probably would have without Patreon.

Drawbacks:

–It’s not a 100% predictable amount of income.

People can sign up as your Patron at any time, but they can also end their Patronage at any time, too. And while Patreon emails you whenever someone signs up or changes the amount of their pledge, they don’t let you know when someone drops off, so it can be a little disappointing to go to your profile and see your pledge level has dropped unexpectedly. I have had former Patrons message me when they dropped their pledge to let me know why, which is always appreciated. But it’s best to see Patreon as a supplement unless you’re one of those rare folks who has hundreds of Patrons giving thousands of dollars a month.

–You don’t get to keep all the money that’s pledged to you.

Patreon takes a BIG chunk of money out. From their FAQ:

Patreon takes 5% and the creators cover the credit card transaction fees which are generally 4% across the site. Also remember that some pledges will fail due to declined credit cards. We’re happy if a creator sees around $0.90 of every dollar!

As as an example, of that $531 in pledges that I had at the beginning of February, after Patreon’s fees and two declined cards I received $463.88. It’s still a nice bit of money and I’m grateful for it, but I feel it’s important for readers to know that what it says I get per month on my profile won’t necessarily be what ends up in my bank account.

Additionally, I spend a fair bit of each month’s pledges in shipping costs. Granted, they’re factored into the pledges, but I routinely spend between $3 and $9 to ship an item to a Patron. This month my shipping charges were well over $100 because I promised if I hit $500/month in pledges I’d send all the Patrons who helped me achieve that goal a little natural history specimen as a gift, and so I had to send out over 30 packages, including a few international ones. Had this been a normal month I would have sent out seventeen packages, but the shipping would still have been in the $60 range.

–It’s a LOT of work.

When I started my Patreon account in July, I didn’t automatically have $500 worth of pledges flood in. I did hit the $100/month milestone within the first few days, which honestly blew my mind. And in January I managed to go from $401 to $531 in a matter of something like two days because I did a bunch of “Woohoo! Help me hit $500!” social media posts.

But in between $100 and $401 was a ton of work. As a self-employed creative person I have had to perfect the art of self-promotion–or at least work toward perfecting it. I mention it multiple times a week on Facebook, Tumblr and elsewhere. I talk it up when I vend in person. I let my online customers know about it. In short, I do my damnedest to let everyone know that “Hey! I have a Patreon and you can get all kinds of cool stuff that no one else gets if you sign up!”

This means you have to be absolutely tireless in your promotion to make it work. I mean, if you already have a platform of tens of thousands of people ready to throw money at you then your Patreon should fill up quickly. But for the rest of us, it’s a hell of a slog, and I am absolutely grateful for every one of my Patrons, past and present. (And would-be–I know there are folks out there who’d love to pledge except they can’t afford even $1/month right now. Totally understandable.)

Platform-specific Complaints:

–No way to browse individual artists (“Creators”) as opposed to projects.

If you go to Patreon’s homepage, there are only a few ways to find Creators.  Below the initial “Hey, we’re Patreon!” video you can see five featured projects. And if you click on “Featured” on the bar at the top of the homepage you get a couple dozen more features projects. That “Featured” page also has a left menu of categories, but again it it only takes you to individual projects, not Creators. The only way you can find individual Creators who take pledges on a monthly basis rather than a project-by-project basis is if you search for their name or keywords in the search bar at the top of the site, so it’s well-nigh impossible to be discovered by a potential Patron who didn’t already know who you are.

I’ve contacted Patreon about this, and they claim they’re working on a solution, but I’ll believe it when I see it. As it is, I have to rely a lot more on my own promotion and the word of mouth of others than Creators who pledge per project.

–Back-end navigation is a little counterintuitive and disorganized.

You would think that if I wanted to edit my profile (which shows what I’m offering the world) AND my Patreon Manager (which tells me who’s pledging what) I would go to one central location, right? Nope. To get to the former there’s a dropdown menu accessible from the upper right-hand corner of the screen, marked by my logo. To access the latter, I have to click on “Home” (not “Patreon”), and then click on the little button that says “Patron Manager”.

And it just gets more unwieldy from there. Each month’s record of Patrons has its own individual page, meaning a lot of clicking through and having to compare each month from its own tab. I’m sure they’ll keep upgrading it, but for now it’s kind of a pain in the ass to navigate.

Conclusion:

Gripes aside, I see Patreon as a way to get guaranteed custom work each month. I have a group of people that I know I’ll be making art for, and I have people I know I’ll be sending books to, and I have folks who will be enjoying little exclusive treats in my feed throughout the month. I’m quite used to having to work hard promoting my stuff, so this is just one more thing for me to offer.

Speaking of that–if you want to be my Patron, here’s my account again! You can become my Patron for as little as $1/month, and help me keep writing posts like this one. And thank you!

Animal Totems, Anthropocentrism, Cosmology, Environmentalism, Fungus Totems, Plant Totems, Totemism 201, Totems

Totemism 201: It’s Not Just About Us, Either

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Okay, back to Totemism 201! In my last post, I talked about how totemism extends well beyond animals into plants, fungi, and other non-animal beings. One of the main points I made is that we tend to gravitate toward animal totems because they’re closer to us–we are, after all, animals ourselves. I’ve covered the tendency toward anthropocentrism in spirituality before, but I’d like to tie it specifically to totemism in this post.

Pick up any book on totemism, or surf to a website on the topic, and more often than not you’re likely to run into language that suggests that by reading this material you’ll learn how to unlock the secrets of totemic power and get what you need in your life. I recognize a lot of that is due to marketing, because how better to sell a book than to claim it holds the answers to someone’s problems? Unfortunately it seriously limits the possibilities for relationships with the totems, and relegates them to being tools you take out of a bag only when you need them.

There are plenty of folks who manage to move beyond the “gimme” mindset. However, even they may perpetuate language that encourages others to see totems as means to a personal end. There’s nothing wrong with asking totems and other spiritual allies for aid when you need it, but I don’t feel it should be the sole basis for your relationships with them, especially because “I want I want I want” is a very anthropocentric way of going about things.

If you see totems as aspects of the human psyche given animal and other non-human forms, you may wonder what the problem with anthropocentrism is. After all, they’re all in your head, right? Remember that the totems represent their species, and you can still help their physical counterparts. Anthropocentrism has damaged the physical environment in numerous ways, so any effort to see the world in a less human-dominated fashion can help improve the world for everyone.

So how can you begin to remove the anthropocentrism from your totemism?

–Don’t treat totemism like it’s just a way for you to improve your life. Back when I was talking about the potential pitfalls of totem dictionaries, one of the points that I made is that the dictionary format tends to emphasize a quick fix for our problems. Relationship troubles? Take one dose of Lovebird and call me in the morning. Sure, that’s a bit hyperbolic, but it illustrates the problem effectively.

To break out of that mindset, consider how you view the totems you work with. Who are they besides “Solution A for Problem B”? What happens once you get past the stereotyped “what does this totem mean?” Do you see them as friends? Family? Allies? Beings to be worshipped, or admired, or emulated? (It’s okay if you don’t have an immediate answer; it might take a while for you to really conceptualize your relationships with your totems.)

–Be mindful of how you talk about totems, both the ones you work with and in general. Even if you see the totems as independent beings who have a lot more going on than figuring out how to help you get a new job, if you use language like “Totems are here to teach us things!” you’re still perpetuating a more limited view of them. Instead, try talking about the entirety of your relationship with a given totem (or as much as you’re comfortable talking about). When someone asks you what Gray Wolf means (as one example) you might talk about not just things Gray Wolf has shown you, but also what you’ve done for that totem in return, how close you are, how the relationship has evolved over time, other totems Gray Wolf has introduced you to and why, etc. (This all, of course, depends on how much time and space you have to answer in.)

Moreover, encourage discussions on totems that go beyond “What does this totem mean and what can it do for me?” If you part of an online forum or an in-person group about totems, try starting a new topic. If you teach about totemism, even casually, make a point of going into more depth. Ask others about their experiences. Get the words flowing.

–Another way to reduce an anthropocentric approach to totemism is to get out of your comfort zone. As I’ve mentioned before, we tend to gravitate toward animal totems (especially Big, Impressive North American Birds and Mammals) because they’re most familiar to us. Challenging that familiarity helps us and broaden our attention, and moves us beyond our own priorities of personal comfort.

Start one step outside of your comfort zone. If you’ve primarily only worked with mammal totems, try working with a bird or reptile totem. Then take another step, and head into fish territory. Another step may get you in touch with any of a number of invertebrates. Beyond that there are the totems of fungi, plants, bacteria, and numerous other non-animal beings.

The more you put yourself into the mindset of an unfamiliar sort of being, the more aware you become of their priorities. Anthropocentrism relies on human concerns being the most important; by making yourself aware of the concerns of other beings, you loosen the grip of a human-centered worldview.

Those are just a few of the ways in which you can unseat anthropocentrism and move your totemism from “what do I get” to “what can we give each other”. Note that I mention “we” in that last statement. Your goal is not to completely subsume your wants and needs in favor of those of a totem or any other being. The totems don’t need mindless followers, nor do they need people running around in hair shirts, castigating themselves for having any personal needs whatsoever.

Rather, the goal is to regain a mutually beneficial relationship with the totems and their children. We are just one of millions of species on the planet, and we’ve forgotten that. Totemism 201 is about remembering our place, not in a sense of being humbled and chastened and “put in our place”, but in being one among many brilliant, amazing beings in this world.

In my next post I’ll be discussing how Totemism 201 is about approaches rather than practices, and why there’s no secret ritual that will magically make you an advanced practitioner.

A master list of Totemism 201 posts may be found here.

Did you enjoy this post? Please consider purchasing one or more of my books on totemism and related topics! They include more in-depth information on working with totems, to include topics not discussed in this essay series.

Animal Totems, Cosmology, Events, Fungus Totems, Plant Totems, Skin Spirits, Totems

Lupa At PantheaCon!

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Hey, all! Once again I’ll be at PantheaCon in San Jose later this month for workshops, panels, book signings and more! Here’s my schedule for the weekend:

Llewellyn Publishing FAQ – Saturday 11am – noon – Llewellyn suite (room 1057)

I’ll be one of several authors answering questions on writing books, getting them published, the ever-important promotion, and more. This panel is a perennial favorite!

Animal Skulls as Ritual Partners – Sunday 9 – 10:30am – San Martin room

Here’s the only workshop I’m presenting alone this year–but they picked a good one! Here’s the official workshop description:

For thousands of years, animal skulls have been used in rituals and other spiritual practices around the world. In this presentation, we’ll explore how to legally and ethically obtain skulls, how to work with and care for the spirits within them, how they can be a connection to animal totems and evolutionary ancestors, and more! We’ll also meditate with well-cleaned animal skulls; a limited number will be provided for attendees to borrow, or bring your own! Door will be closed later in the presentation to allow for an uninterrupted meditation.

Godless Bless – Sunday 1:30 – 3pm – Pagan Scholars’ Den Suite room # TBA

As a naturalist pagan who works with totems and other spirits (which apparently makes me a nice middle ground between people who work with gods and people who don’t), I was asked to moderate this panel on atheism in paganism. I’ll be asking several panelists questions about their beliefs and non-beliefs, what composes their spiritual practices, how they came to where they are today theologically speaking, and more, followed by a general audience Q&A.

Plant & Fungus Totems – Monday, 7:30pm – East-West Bookstore, 324 Castro Street, Mountain View, CA

Just down the road a bit from the Doubletree (though you’ll need a car) this workshop is part of a special set of FREE! presentations by Llewellyn authors at East-West Bookstore the week of February 11-17. If you can’t make it to PantheaCon but you’re in the SJ area, come join me as I talk about what plant and fungus totems are, why you might want to work with them either on their own or in conjunction with animal totems, what makes working with them a unique experience, and more!