Artwork, Business, Creativity, Way of the Scavenger

How I Store More Art Supplies Than I Know What to Do With

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So I had a special request from one of my Patrons over on Patreon. They wanted to get some advice on storing art supplies, which sounds simpler than it actually is. See, if you’re an artist, you probably have a tendency to buy way more supplies than you actually need in the moment, often spurred on by creative impulses that say “Hey, look at this neat thing–you could TOTALLY make something out of it!” Which is how, over the years, I have ended up with everything from a vintage floorstanding radio to a full-sized taxidermy hyena to way more tchotchke shelves than anyone has any business owning.

Having been a hide and bone artist for two decades has at least given me the opportunity to figure out how to best store lots of big, bulky supplies like fur coats and antlers. Now, I am not one of those people who has an entire basement floor to work with, with walls full of shelves holding a hundred identical plastic tubs, each neatly labeled in legible handwriting. You won’t see my studio in a magazine extolling “Twenty Enviable Artists’ Spaces.” But I’ve made do with a whole bunch of living situations for me and my stuff.

Not everything may fit perfectly, and that’s okay. As long as you can keep everything within a certain set of boundaries without stuff falling over regularly, you’re good to go.

The first thing you need to think about when stashing your art supplies is the space you have to work with. My living quarters have ranged from a single bedroom to a spacious two bedroom apartment. Storage has been everything from tiny closets to the laundry room. These days my current studio includes not only part of a house but a loft in a barn for storage as well. (I am incredibly spoiled, believe you me.)

You’re going to have to be realistic about the space available to you, especially if you live with other people. It’s tempting to just let it all hang out, so to speak, but that’s not really fair to anyone besides you in your creative moments. So assess what space you can reasonably have for your supplies. It’s best to focus on out of the way spots like closets, shelves, and back rooms that don’t get that much traffic. This isn’t just to keep things out of the way, but also because these spaces are good for keeping things more or less contained.

Next, you need things to keep things in. I am a big fan of plastic bins and milk crates. They’re boxy, easy to stack and easy to move around, and are often abundant in thrift stores. I mean, if you really need all your bins to match you can go to any general-stuff store and pick up a bunch of the same type, but I have poached mine from all sorts of sources, even free piles on the side of the road after someone has moved. They’re mismatched, but they work pretty well.

Soft, squishy things lend themselves well to being stuffed in bins, like the ones in the picture at the beginning of this post. Most of mine are full of fur and leather scraps of varying sizes and sorts. I also have a few that are full of assorted smaller odds and ends, like shells and feathers and so forth. Keep in mind that the bigger the bin the more stuff you can fit, but the more you also have to sort through to find that one tiny thing that inevitably has fallen to the very bottom. You can also put hard, awkward things like antlers and bones in bins, though you may have to play a little Tetris to get them to fit right.

This part of my studio is a work in progress. These are bins that either haven’t made it into the barn yet, are full of really fragile art, or have things I need often enough that they need to stay at the house. Note also the stacks of milk crates.

Crates work well for smaller hard, awkward things. However, my favorite use for them is as storage for stacks of jewelry organizing boxes. These are those shallow tray-like boxes with little dividers in them that are perfect for beads, fishing lures, hardware, and other teeny little easily-lost items. One milk crate will typically hold a stack of five, and then you can stuff some baggies of other stuff in along the side. Make sure that you don’t put things in above the top edge, or else they won’t stack properly. I use the very top crate in a stack for stuff that won’t fit neatly and might stick out the top. I don’t like to stack more than four crates up as they can get tipsy otherwise. (Plus it’s a pain having to unstack and restack them every time you want something from the bottom crate–which is a great reason to put the things you use the most in a crate higher up the stack.)

Not everything is perfectly neat, of course. I also have a shelving unit full of oddly-shaped cardboard boxes, and stacks of more boxes, and bags of packing materials, and so forth. But I make everything more or less fit, and since a lot of that stuff is either packing materials or destashed art supplies just waiting for someone to buy them, most of what’s there is temporary. (Don’t feel bad if you can’t make everything you have fit into neat boxes, so long as you can keep it basically contained.)

I also am fortunate enough to have a decent work bench. I have some small benchtop shelves for things I use a fair amount like adhesives and tools. The rest of the bench….well…the condition of that depends on how busy I’ve been. But having a flat surface that is reserved for my work helps keep it somewhat contained. If you can have a table that isn’t shared with other things (like, you know, meals) make the best use of it you can. Otherwise, put your stuff away as soon as you’re done working so that you stay in the habit of keeping things neat.

One more thing: it’s really important to reorganize and declutter on a regular basis; you can either sell or donate whatever you cull. If you watch the supplies section of my Etsy shop, you’ll notice that I destash stuff several times a year. That’s just the stuff that I think my customer base may be interested in. I donate even more than that every year to SCRAP, a Portland-based nonprofit that resells art supplies and uses the money in art education and other community projects. Not only does this help me make space for more art supplies (or, you know, things that aren’t art supplies) but it also lets me revisit what I already have in hand. One of my biggest challenges when sorting is not getting distracted by “Ooooh, a shiny thing…let me just stop a minute and start making it into something.” Usually the workbench ends up with a pile of projects-to-be by the time I’m done sorting and reorganizing.

Of course, this is just the art supplies. My personal animal skull collection, on the other hand, isn’t so neatly contained. But that’s another post someday…

Did you enjoy this post? Consider becoming my Patron on Patreon at http://www.patreon.com/lupagreenwolf for as little as $1/month!

Books, Divination, My Books, Nature, Nature Spirituality, Nature Writing, News, Paganism, Ritual Tools, Skin Spirits, The Tarot of Bones, Writing

Introducing Pocket Osteomancy: A Simple Bone Divination Set

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Surprise! I have a new book! Well, booklet, anyway. And there’s a nifty handmade divination set with it, too!

Pocket Osteomancy is a bone divination system that I created based loosely on the Minor Arcana of the Tarot of Bones. It’s a bone casting method using a casting cloth divided into four quadrants. I first released it to some of my Patrons on Patreon last year so that they could try it out, but they only had a single instruction sheet to work with. Now I’ve fleshed that out into a 24-page booklet available as a paperback or ebook, and you can purchase the casting cloth and bones as well!

Divination with bones doesn’t have to be complicated! Pocket Osteomancy: A Simple Bone Divination Set is a simple but effective system for using animal bones to focus your intuition and explore possibilities in your present and future. It’s great for both beginners who may feel intimidated by more complex systems, and also provides a basic structure for more experienced practitioners to build on and explore.

I’ve ordered paperbacks and they should be here within the next week to week and a half, so you can go ahead and place your orders now. I will fill ALL orders once the paperbacks have arrived. You can make your purchase here at https://thegreenwolf.com/pocket-osteomancy/.

Animals, Anthropocentrism, Bioregion, Books, Environmentalism, Fungi, Naturalist Paganism, Nature, Nature Spirituality, Paganism, Plants, Science

Why Pagans Need Field Guides

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I was talking to someone on Facebook today about how I’m a field guide nerd. I have an ever-growing collection of identification books on the fauna, flora and fungi of the Pacific Northwest, as well as its complicated geology, climate, and other natural features. I even collect vintage ones just for the fun of it. I’m also an avid iNaturalist user and spend a decent portion of my outdoor time taking photos of beings I meet along the way. And I love the challenge of trying to identify some critter or plant that I have never encountered before, just to put a name and a niche to it.

Now, I’ve spent the past couple of decades watching experienced pagans talk about how important history books are for pagans wishing to deepen their practice. They’re right, of course, at least if your path is in any way linked to historical cultures. But think of how many pagans invoke the elements without understanding anything about the earth, air, fire and water in their bioregion, or who call on deities of storm and forest and fertility with little comprehension of those natural forces. We can name entire pantheons of deities and list off magical correspondences for hours, and yet so many of us can’t identify more than a few native plant or bird species.  I’ve already asked why we can’t be as nerdy about nature as we are about history in a both/and rather than either/or manner. So consider this a continuation of that query.

Using Field Guides

First, what is a field guide? Simply put, it’s a book or website that lists a certain group of living beings found in an area. Bird guides are by far the most popular as birders are also generally pretty avid book fans, and when you’re trying to fill your Life List with positively identified new species it’s important to be very sure you know what you’re looking at through your binoculars. But field guides to flowers and other plants, mushrooms, wild mammals, and other beings abound. Some of these cover entire continents; others focus on a single state or region. The best have clear, full-color photos or high quality illustrations showing the field marks–distinguishing characteristics–of each species, along with pertinent info on behavior, habitat, and more.

The best way I’ve found to use one isn’t to cart it around with me all the time, but instead to take note of various beings I find in my day to day life. If I can get a picture, great! But sometimes that’s not possible, and so I need to either sketch or write down as many of the field marks I noticed as possible. For example, the first time I saw a varied thrush I noticed that it was a bird very much like a robin except it was yellow and black. When I got home I grabbed one of my Oregon bird guides and flipped through until I found a bird like the one I saw. The size, location and habits all matched up with what I observed, so it was a pretty safe bet that this was indeed a varied thrush.

I also read through my field guides, because there are many beings I have yet to see in the wild. There are several species which I had previously only seen in books and photos, and which I instantly recognized in person the first time because I was already aware of how they looked. Plus it’s fun to imagine what sorts of wildlife, plants and mushrooms I might find if I decide to go exploring somewhere new!

I’ve kept a journal of my nature sightings for several years, and I also have a pretty extensive collection on iNaturalist. Every time I find a new animal, plant or other being, I make note of it in the journal with what I saw, when and where. Then as I further research the ways in which my ecosystem is put together I can place this particular being into its niche and know how it’s a part of the greater whole. The varied thrush, for example, is food for hawks and other predators. As an insectivore it helps to keep insect populations in check. And like all birds its droppings are important fertilizer for plants and fungi, and because it eats berries it helps to distribute the seeds to new locations. I can appreciate the need to preserve forest habitats in particular since the numbers of this species have been declining due to habitat loss. And so now I think of those things whenever I see a varied thrush, rather than just saying “I see a bird. I wonder what it means?”

How Is This Useful to Pagans?

If you’re going to draw on nature in your path in any way, it’s a good idea to have at least a basic understanding of what it is you’re incorporating. Any introductory book on paganism will extol the virtues of getting to know the differences between various deities and spirits and the like so that you aren’t calling on Artemis in a men’s ritual or asking Dionysus to help with a safe ocean passage. In the same way, it’s important to be able to identify at least some of your non-human neighbors if you’re going to be asking them to join your rituals.

And I don’t mean just going with anthropocentric information. If I am going to learn about fly agaric (Amanita muscaria) I’m not just going to look at pictures of Smurf houses or try and pretend I’m a Siberian shaman by ingesting some of this hallucinogen. Instead I’m going to find out this fungi’s natural range, what sort of substrate its mycelium prefers, what sorts of trees it forms mycorrhizal relationships with, and whether there’s any animal that can safely eat it. All these tell me more about how it fits into the ecosystem I am also a part of, and gives me a greater appreciation for it as something other than “one of those mushrooms that can get you high.”

The more you get to know your community, human and otherwise, the more you come to value it. Just as knowing the names of your neighbors and store employees conveys a deeper sense of connectedness, so knowing the names of the animals, plants and other beings around you makes you more appreciative of them. And as you grow your awareness of how your human community works together in a web of inter-reliance, so your understanding of the complexity of your overall ecosystem shows you just how precious and important it is. And that, to me, is the center of truly nature-based paganism. Not how many Samhain decorations are on your altar or how many crystals you own, but how aware you are of just how entwined you are with everything around you and how much responsibility you have to it. If all you do is take, take, take and never give back, even in the simple act of knowing something’s name, then you are a parasite rather than a partner.

Field guides are a great way to begin this healthy and balanced relationship. Like a list of deities in a pantheon, they introduce you to who’s who. You don’t have to memorize every species in every book or website; just knowing which field guide to start with when researching a species is a great first step. And how much you explore is up to you. You may be content just knowing the data in the field guide entry for a given species so that you can name it the next time you see it. Or you may wish to get to know it better, along with the various other beings that it is inter-reliant with, so that you can place a few more pieces into the puzzle of your ecosystem and have a greater part of the whole picture.

How Do I Find Field Guides?

The easiest way I’ve found is to go online and search for “Oregon field guides” (you can substitute your state, region or country for Oregon.) Or go to Amazon and search for “field guides” and see what pops up, though I recommend actually buying your books from local independent bookstores. If you want to narrow it down, search for things like “Oregon plant field guides” or “books on birds of the Pacific Northwest.” If you’re more hands-on, go to your local bookstore and peruse their nature section. I’ve gotten almost all of my field guides from the gift shops at state and national parks and wildlife refuges as I like supporting them financially.

The same goes for websites. Let’s say I saw a salamander but didn’t know what it was. Searching for “Oregon salamanders” brings up several pages that showcase all the species of salamander found in this state. Some of these sites, like the Oregon Department of Fish and Wildlife’s wildlife viewing site, also include information on other sorts of animals, making them valuable for broader research. Here are a few more links to get you started (please notice some of these are US-based, though there are some non-US links as well):

Encyclopedia of Life’s list of online identification guides

Whatbird – the Search page allows you to narrow birds down by attributes like location, color, shape, etc.

Identify That Plant’s list of plant ID websites

MycoKey – the free online version only allows ID of some types of fungus. I haven’t been able to find a single good online reference for all fungi.

10+ Naturalist Resources for Identifying Wildlife – a few broken links but still a solid list

Does this post resonate with your idea of paganism? Then I bet you’ll enjoy my books! The titles from Llewellyn are particularly informed by my interest in natural history and include more details on how to connect more deeply with the nature around you. Check them out at https://thegreenwolf.com/books/

 

Animals, Artwork, Creativity, Crowdfunding, Fungi, Plants, Writing

Commissions and a Brief Update!

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Hi, all! Long time, no chat!

First, I wanted to let you know I’m open for commissions on something that’s not my usual hide and bone art. This month my $15 Patrons at http://www.patreon.com/lupagreenwolf got these awesome 3″ x 3″ mini wildlife paintings in the mail. I am now open for commissions if you’d like one of your own! Your choice of species (animal, plant or fungus) and background colors/pattern for $15 plus shipping anywhere in the world. Comment or email me at lupa.greenwolf(at)gmail(dot)com if interested! Here are a couple more detail shots:


Second, I just wanted to touch base with you about how things are going here. I know I haven’t been blogging a lot lately; most of my writing energy has gone toward putting the finishing touches on Vulture Culture 101: A Book For People Who Like Dead Things. I’ve also still been creating artwork, but I’ve also been doing some volunteer and contracted work for a local conservation organization. So I’ve been super busy, just a lot of it has been behind the scenes.

I’m hoping to have some new posts here soon enough, so keep your eyes peeled 🙂

Animals, Artwork, Books, Crowdfunding, My Books, Nature, Nature Writing, Skin Spirits, Vulture Culture, Way of the Scavenger, Writing

Call For Writers For Vulture Culture 101: A Book For People Who Like Dead Things

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Hey, everyone! So in case you haven’t heard, I am writing a book about Vulture Culture, the “fandom” that’s sprung up around the appreciation of hides, bones and other dead things in recent years. The working title is Vulture Culture 101: A Book For People Who Like Dead Things, and I will be self-publishing it via CreateSpace; the projected date of publication is Summer 2018. Currently, the first draft of the book is done, and I am working on edits and revisions. There’s also an IndieGoGo campaign through March 23 at http://igg.me/at/vultureculture101 which has already met its initial goal and is working toward stretch goals.

While I have spent over twenty years making hide and bone art, I do not have extensive experience with tanning hides or cleaning bones or otherwise prepared raw specimens. However, no book on Vulture Culture would be complete without tutorials on some basic processes, which is why I’m seeking writers to contribute essays!

Each essayist will be compensated with $100 and 10 paperback copies of Vulture Culture 101 once it has been published. Thank you again to my IndieGoGo contributors for helping to make this happen!

I am seeking one essay each on the following topics:

  • Skinning a freshly dead or frozen and thawed animal and preparing the hide for tanning
  • Tanning a hair-on hide, starting with a raw hide (rabbit would be best as it’s a nice small hide that’s easy and inexpensive to acquire); while you may choose one method of tanning, such as alum, please briefly mention other tanning methods like egg tanning
  • Brain-tanning leather, starting with a hair-on hide (deer is most popular but I’m open to other easy to acquire suggestions like goat)
  • Cleaning bones through maceration, starting with a whole skinned carcass, though with a brief mention of dermestid beetles and nature cleaning as alternatives, and proceeding through degreasing and whitening
  • Wet specimens in jars, to include long-term care, how to change out old fluids, etc.
  • Very basic mouse or rat taxidermy, including how to prepare the hide, positioning, etc.
  • The basics of skeleton articulation; there’s not space to go through an entire skeletal articulation, but at least give people an idea of the tools and methods involved, and basic steps from skeleton acquisition to final display

Essays should have the following qualities:

  • Between 1500 and 2000 words (you may be able to go over that a bit if you need the space)
  • Written in easy to read English and suitable for a general audience
  • Thoroughly explain the topic in a step-by-step manner; steps should be numbered
  • Be accompanied by at least 4-6 print-quality photos showing different steps of the process (if you have to show different animals at different stages of the process, such as for longer processes like maceration, that’s fine, so long as all pertinent stages are covered clearly)
  • Should not be previously published, either in print or online. If you’ve written similar essays that’s fine, just write a unique one for this project

I will have already covered topics like where to get hides and bones, and legalities concerning them, so you don’t need to go over them again. Stick to the how-tos of your topic. I will be doing some basic editing and proofreading, but you should be sending me final drafts by the due date.

Please apply by contacting me at lupa.greenwolf(at)gmail(dot)com; you will be asked to provide the following information:

  • Your name, general location, email address and phone number
  • A brief description of your experience in working with hides and/or bones and/or other dead things
  • Which topic you would like to write about and what makes you qualified to write about it (you can apply for more than one topic; however, only one topic will be assigned to one writer unless there is a serious lack of suitable writers)
  • At least three samples of your writing, published or not; Vulture Culture topics and how-to articles are extra-awesome, but send the best of whatever you have. Please also send a few sample photos showing your photography skills. You can send them as links and/or attachments.
  • If you are under the age of 18, proof of permission by a parent or legal guardian

The deadline to apply is March 28, 2018. Selections will be made by April 7, 2018 at which point acceptance letters and contracts will be sent out. Completed final essays have a FIRM due date of June 7, 2018, so please make sure before you apply that you can dedicate the time to finishing your essay on time. You can also send me drafts in progress before that point if you’d like feedback.

Thank you!

Books, Creativity, Crowdfunding, My Books, Nature, Nature Writing, Science, Skin Spirits, Vulture Culture, Way of the Scavenger, Writing

The Vulture Culture 101 IndieGoGo Campaign is Live!

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The Vulture Culture 101 IndieGoGo Campaign is officially live at http://igg.me/at/vultureculture101!
What compels me and many other people to fill our homes with the preserved remains of animals, and how can you join in the fun? Vulture Culture 101: A Book For People Who Like Dead Things explores the modern revival in acquiring, preserving and creating art with these natural specimens. Written by author and artist Lupa, this is the first full-length guide to Vulture Culture, a subculture that in recent years has grown up around the appreciation of hides, bones and other animal specimens.
Want to help Vulture Culture 101 become a reality AND get your copy of the book at the lowest price ever? Want to get neat perks like my other books and art made from hides and bones? Want to help a self-employed author and artist create a valuable resource both for members of the V.ulture Culture, and people who are just curious about what it’s all about?
Back the Vulture Culture 101 campaign today at http://igg.me/at/vultureculture101! We’re already well on our way, and early bird specials are going fast. Even if you can’t back the campaign right this moment, please send the campaign to anyone you feel may be interested, and thank you for your support 🙂
Books, Crowdfunding, My Books, Nature, News, Skin Spirits, Uncategorized, Vulture Culture, Way of the Scavenger

Coming Soon: The Vulture Culture 101 IndieGoGo Campaign!

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I am excited to announce that the official IndieGoGo campaign for my next book, Vulture Culture 101: A Book For People Who Like Dead Things, will launch on February 6, 2018! More than a book on taxidermy or bone identification, Vulture Culture 101 is a guidebook to the subculture surrounding the preparation, collection and appreciation of hides, bones and other specimens. It’s suitable for both beginners and experienced Vultures and may even appeal to those who are just curious about us and our collections.

The full IndieGoGo campaign won’t be launched til the 6th, but you can get a taste of what will be included at the prelaunch page here. And you can sign up for an email reminder to be sent to you when the campaign officially starts!

As with my wildly successful IndieGoGo campaigns for The Tarot of Bones, this campaign will help me to fund attendant costs for the book, such as paying guest writers for how-to essays on topics like hide tanning and bone cleaning, as well as the cost of printing physical books and having them shipped to me. Anything left over after that will help me cover my bills and other expenses as I finish up the last bit of writing, editing, layout and other work that remains before projected publication in Summer 2018.

I will, of course, make an announcement when the campaign itself goes live, but for now check out the prelaunch page for a taste of what’s to come! And, as always, thank you for your ongoing support.

Activism, Environmentalism, Food, Gardening, Naturalist Paganism, Nature Spirituality, Paganism, Plants, Science, Seasons, Sustainability

Paganism, Food, and the Element of Terroir

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In case you didn’t know it, I am a minor-level foodie. I haven’t run around to every single pricey restaurant in Portland, but I am an unabashed locavore who loves to cook. And as an environmentalist I’m keenly aware of where my food comes from.

When I eat, I am not just consuming calories so I don’t die, or eating something I like so that it’s an enjoyable experience. I am consciously mindful of the fact that the animal, plant or fungus I am about to ingest was raised in a particular place and in a specific manner. It lived a life, perhaps a good one, perhaps a bad one, and that life now ends in its physical remains becoming a part of my own still-living body. I am made of molecules that came from around the world, though increasingly from my local region.

Connected to this sense of place is a concept known as terroir, which in French means “soil.” Most commonly encountered in the discussion of wine, terroir describes the qualities of the land and its tending that influence the taste of the food or drink it produces. Some of these factors are climate, weather, soil quality, fertilization and other soil treatments (or lack thereof), food given to animals, stress the living being experienced during life, and even how it was slaughtered or harvested. The reason that a wine expert can tell a wine grown from a particular valley in France is because of the terroir that affects the flavor of the grapes that created it.

I first became aware of terroir through the Slow Food movement founded by Carlo Petrini, a response to the growing influence of fast food and heavy processing in the global food market. Slow Food is about locally grown foods which are carefully prepared and then enjoyed consciously rather than simply inhaled for basic calories. Extra attention is paid to the source of each ingredient, where it was grown and how it was cared for, and even the people who attended to it from life to death. Terroir is how the unique taste of that ingredient reflects on the land it came from. Combine several local ingredients together in a recipe from regional cuisine, and you get a veritable symphony of terroir that may be absolutely unique in the world.

Let me give you a more concrete example. I don’t drink wine often, so I can’t really use that as a viable image, though those of you who are wine lovers may find some of this familiar. However, I use olive oil extensively in my cooking, not just for the health benefits but the flavor as well. Canola oil is just greasy compared to the body of a good olive oil. And I am fortunate in that CostCo carries relatively inexpensive olive oils that have Protected Designation of Origin, meaning that yes, this is pure olive oil of high quality that hasn’t been sitting around in a warehouse for years, and the label tells exactly where it came from.(1)

Most of the olive oil on the market is old or poor quality and has lost much of its flavor; some of it has even been cut with cheaper oils like sunflower. If you taste it and then taste real, fresh, extra virgin olive oil, the latter has a much more vibrant taste. It tastes like olives, rather than sunflower oil mixed with a bit of grass. Different PDO olive oils have their own unique notes, much like wine. That’s the terroir speaking, in which the soil and the sunlight and the care of harvest are all reflected in the final flavor. To me, a good olive oil tastes like the land it came from, and even if I’ve never been there I can still imagine it.

So why is this important to paganism? Well, if you ask a lot of pagans, our spirituality is about the land. Honestly, many pagans celebrate a more abstract conception of land rather than getting down and dirty with the soil they live on; if you’re chanting about Earth, Air, Fire, Water but you don’t know much about your local climate, geology or watershed, you have a lot of opportunities for expanding your nature-based practice.

We also make a lot of talk about harvest festivals in late summer and the first half of autumn, but our ritual feasts are often store-bought breads and imported produce rather than anything we grew or prepared ourselves.(2) If we’re really going to celebrate the harvest, doesn’t it behoove us to not only use local food and drink, but also to familiarize ourselves with when our actual growing and harvest times are, and what’s growing when?

Terroir is an excellent opportunity to root your paganism in the actual land you’re practicing on. You’re literally eating and drinking the land; the molecules in locally-produced food came from the same general area that you are honoring, and they will then be incorporated into your own physical form. By paying attention to the flavors that make this area’s flour unique, or its fish especially tasty, or its vegetables heartier, you are experiencing your land, and by consuming that food you are making the land a part of you. And when you utilize recipes and other elements of cuisine created by people who have lived on that land a while, that gives you even more relationship with place.(3)

In the United States, most ingredients in our food isn’t labeled. In our many processed foods ingredients from countless sources are all blended into one homogenous lump. You won’t know where the wheat, rice or oats in your breakfast cereal came from, or where the sugar cane grew. Meat is no longer labeled with what country it came from or where it was slaughtered. Produce may have a sticker saying what state or country it came from, but no more specific than that; if I buy a Washington or Oregon apple I couldn’t tell you what farm it was from unless I happen to buy it from the farm itself.

To counteract that, I offer this little introduction to terroir. To start, pick a single food item that is produced locally. It can be something straight out of the ground, like a vegetable or fruit, or which requires a little more preparation like meat or cheese. Get some of that local food, and also a few examples of the same food that were produced in other identifiable places but further away–for example, an apple from a local orchard in Washington, and then another from California, and another from Mexico. Or pick something that has a reputation for its terroir–get a piece of real Parmigiano-Reggiano cheese from Parma, and then a “Parmesan” made somewhere in the United States, and maybe some of that powdered stuff in a can. Have a bit of a tasting, where you eat a bit of each one at a time, and pay attention to the differences in flavor and texture with each bite.

Be more mindful of the origin of all your food to the best of your ability. Think about the land it came from, and how it got from there to where you are now.(4) When you celebrate holidays with food, choose those that are made locally or that you create yourself from local ingredients, to the best of your ability and budget, and especially for harvest festivals. When you eat, consider it a communion with the land, not just something tasty. Remember that you carry around bits and pieces of every place that has fed you, and this gives you a deeply intimate and physical connection to those locations. In this way you can deepen your relationship to nature beyond the symbols and rites, and into the core of your very being.

1. Not all of the olive oil that CostCo carries is PDO certified. Generally the big plastic jugs aren’t; look for glass bottles, and especially look for a PDO label and the country of origin somewhere on the label.
2. I totally get that not everyone has the space, money or ability to garden. But if you’re going to pour a bit of money into a seasonal ritual, set some aside to get a locally baked loaf of bread or some apples from a local farmer, or whatever your regional farms are producing.
3. Here in the Pacific Northwest there are a few different local cuisines going on. There are the foodways of indigenous people, some of which have been shared with others. There are the cuisines of the various waves of immigrants over the past couple of centuries which meld local ingredients and far-away traditions. And there is a more self-conscious “modern” Pacific Northwest cuisine which is an attempt to combine all of these to one degree or another, again with a strong emphasis on local ingredients. Please understand that where you are, the local cuisine may not be open to all, especially where indigenous people have been subjected to abuse and oppression and therefore aren’t willing to also open their foodways to the perpetrators thereof.
4. To be brutally honest, the way food often gets to us is fraught with both human and environmental abuses; but that’s a whole other post for another time.

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Activism, Environmentalism, Ethics, Health and Healing, Naturalist Paganism, Nature, Paganism, Psychology, Rituals, Skepticism

A Clarification On My Last Post

12 Comments

Regarding my last post where I speak of my grief, anger, and frustration over the fires in the Columbia River Gorge, first of all I want to thank everyone who read, shared and commented on the post, helping to get that information out there. As of right now the fires are still burning over 30,000 acres and have spread over to the Washington side of the Columbia, but no one has died and the firefighters have done a remarkable job in spite of ongoing heat, wind and lack of rain.

Most people have been able to understand my frustration with all the calls for prayers and rites at a time when these things feel like a band-aid on a bullet wound. I know I took a big risk in writing from a place of deep pain, grief and anger and that doubtless there would be people who, instead of paying attention to the bigger takeaway–do something concrete about the fires and the events leading up to them–got tangled up in my harsh words on prayers and rites.

What I should have clarified was that I am specifically frustrated with those who pray for rain, but then do nothing else helpful to follow it up. I’ve been pagan for twenty-one years. I have seen countless pagans who do “send energy to X” rituals and spells, and then do nothing else to follow it up. We tell people that if you’re going to do a job spell, you can’t then not send out resumes or apply for jobs. In the same way, all the “stop the fire” spells seem to fall flat when what we need even more urgently is everything from funding for firefighting and fire prevention to boots on the ground when the fire stops and the damage is assessed. Even if all you can do is pass on crucial information about evacuations and how to stop this happening in the future, you’re helping.

I know that even though I no longer practice magic of any sort, that it is a big part of paganism for a lot of people. And I know a lot of the people who do workings are also following them up with concrete physical actions. And I really, really appreciate all of those efforts. Even if the rituals only ended up having a purely psychological effect, bringing people together and boosting moods to keep going, that’s valuable.

I wrote my post when I was at an incredibly low point, physically alone and re-traumatized and in deep despair and just about ready to give up. I channeled that into drawing together resources to show people how they could help, both immediately and long-term, and that was part of what started helping me out of that dark place.

So I hope you’ll understand if my post wasn’t the nicest, sweetest, most diplomatic thing I’ve ever written. Yes, I could have been clearer about who, exactly, my frustration was with. But I have no apology for being angry with the hypocrisy of those who do a spell and then do nothing to follow it up when it comes to something this big, destructive, and deeply rooted in long-term human error.

Activism, Anthropocentrism, Bioregion, Cosmology, Death, Environmentalism, Ethics, Magic, Naturalist Paganism, Nature, Nature Spirituality, Paganism, Rituals, Science, Skepticism, Sustainability

Fight Fire With Fire, Not Prayers and Rituals

20 Comments

In case you aren’t aware, the Columbia River Gorge is on fire. Over the weekend, a group of teenagers setting off fireworks in the Eagle Creek canyon set dry brush ablaze, and as I write this over 20,000 acres are now burning, to include precariously close to well-loved landmarks like Multnomah Falls. Over 150 hikers had to be rescued by the Hood River Search and Rescue Team (who could really use donations, by the way.) The easternmost edges of the Portland metro area are under evacuation warnings, and over forty miles of Interstate 84 are closed in both directions.

What I want to tell you is about how broken I feel at this moment, how powerless and weak. I was thirteen when the woods that were my solace were bulldozed flat to the ground, an event that was legitimately traumatic for me and contributed to both my Generalized Anxiety Disorder and to my deep drive to learn about and protect non-human nature. I want to tell you about how I am suddenly back in that moment of despair, anger and helplessness, and fighting to not fall into the deep pain and disconnection that swallowed me for years afterward. I want to tell you about how the red clay of the earth torn up by machinery a quarter century ago is reflected in the flames in photos of my beloved Gorge, the first place that welcomed me with open arms when I moved to Portland a decade ago, and which is permanently tattooed on my left arm in gratitude. I want to tell you how difficult is it for me to keep to my daily schedule and list of tasks while I know that places where I have set foot for many years are burning to the ground, and all I want to do is curl up in my bed and cry.

Instead, what I am going to tell you is what led to this devastation, and how to respond in ways that actually have a concrete, measurable effect. Perhaps it is my grief and pain that make me more sensitive and cynical, but all the calls to “send energy to the firefighters” and rituals to try to make it rain just seem like wasted effort. Normally I shrug and let people do whatever their path says is right in this situation, but I am raw and angry and fed up as my sacred places burn. We don’t need prayers for rain. We need to stop the processes that are preventing the rain in the first place.

What is happening now is the culmination of centuries of human stupidity and greed. Our climate IS changing because of our industrial activities and the pollutants they create, as well as the destruction of mitigating natural factors like the oceans and forests that are supposed to absorb atmospheric carbon. This is leading to drier, hotter summers in the Northwest; this August was the hottest on record in Portland, and the rest of the area isn’t far behind. The entire area is a tinderbox of dead plants.

Add in many decades of fire suppression led by timber companies not wanting to lose their cash trees, and budget cuts that keep forestry services from engaging in prescribed burns. See, fire is natural in forests; some plants even need fire to properly germinate their seeds. But because fire also damages timber and threatens tourism, any natural lightning-strike fires have been quickly put out, and Smokey Bear reminds us that “only YOU can prevent forest fires.” But this all resulted in the understory of the forest–ferns, rhododendrons, salal, and more–growing much thicker than is natural, and many smaller trees getting a roothold where before fire would have thinned them out. This creates what is called ladder fuel, which allows fire to climb higher into the older trees who, in a normal intensity fire, be protected by their height and thick bark. When fire is allowed to occur naturally, it burns out the understory long before it gets too thick, and the big trees survive, and the seeds in the ground replenish the land. But we humans stopped that, and now all that built up tinder has exploded.

Add in one small group of ill-educated teenagers with illegal fireworks dropping them over a cliff into a pile of brush. Yes, the human brain doesn’t full develop until the mid-twenties, and the part that manages impulse control is still under construction in a fifteen-year-old. And here is where our lack of nature literacy become a problem: if children are raised from a very young age to constantly understand the risks of fire, it become a matter of course to act with respect. There are just certain things you don’t do, because you’ve been brought up with the knowledge of why and what happens when you don’t listen. Yet these entitled little scumsuckers apparently didn’t get the memo, because they were giggling like their act was a big adventure.

So: what to do? Here’s the game plan:

—Educate yourself on the role of fire in forest ecosystems. This goes doubly so if you claim to be a nature-based pagan, or if you somehow think you have an affinity for the element of fire, because you’d damned well better know the actual nature of fire, and not just its mythos and romanticism. Educate yourself on how climate change is leading directly to bigger, hotter, worse fires. And once you’ve educated yourself, educate others, especially anyone who intends to spend any time outdoors.

—Educate your elected officials on all levels about the need for prescribed burns and other forest management practices that will help undo the damage from fire suppression and hopefully mitigate the effects of climate change. Tell them to fund forestry and natural resources services on all levels of government instead of using those funds for really stupid ideas like building a giant wall at the south end of the country. And while you’re at it, make sure you tell them about the connection between climate change and the more devastating fires we’re having, especially if your elected officials are in the minority that happen to still be pretending human-caused climate change isn’t a scientifically-validated reality.

—Urge the stakeholders in the land in the Gorge, both public and private to replant with a wide diversity of trees, not just Douglas firs. Logging companies like the Doug firs because they grow quickly and are valuable on the market, but when you have a landscape that has nothing but the same species, it becomes much more vulnerable to disease and parasites which lead to more dead trees–and more fire fodder. Moreover, they plant the trees more close together than they would be naturally, and as the trees are all the same age there isn’t as much chance for bigger, older trees to shade out smaller ones and thin the herd, as it were. A healthy forest has many trees of different species and ages for a reason, and monocrops of Douglas firs contributed to the fires we now see. Or, better yet, let the forest recover on its own and at its own pace. Here, educate yourself on forest succession and how a forest can come back all on its own.

—Donate money to those who are actively fighting the fires and help people evacuate. I don’t care if all you can give is a single dollar–it HELPS. There will no doubt be local environmental and conservation organizations working to restore the natural and historical features of the Gorge in the aftermath of this, so be on the lookout for their calls for funding.

–And when those organizations call for volunteers, if you’re close enough and can do so, step up. Even a few hours helps. Right now if you want to volunteer call the Hood River Sheriff’s Department at 541-387-7035. And there will be ongoing work. I have spent the past couple of years volunteering for Cascade Pika Watch, and I’m hoping we’ll be able to do a post-fire survey this fall to see how many places still have pikas afterward. The Friends of the Columbia River Gorge  and Columbia Riverkeeper are also highly active in this beautiful area’s ecosystem restoration, so no doubt they’ll be involved in whatever work is ahead.

–Work to fight climate change, the biggest factor contributing to greater forest fires, as well as the more violent hurricanes that have been bludgeoning the Southeast. Don’t know where to start with such an admittedly tall order? Here. The Drawdown website lists the 100 biggest causes of climate change and how to fix them. The book goes into even more detail. Pick just one of those causes and put effort toward it, whether it involves making changes in your own life, or pressuring corporations and/or governments to change themselves.That’s how you get started, and you can take that as far as you’re willing. Then pick another cause, and work on it. And so on.

–Most importantly, educate yourself on nature and how it works. We’ve spent centuries trying to distance ourselves from the rest of nature, and it’s been terrible for everyone and everything involved. Maybe if we pagans were as picky about how our paths line up with science as we do with history, we would be a greater force for the planet. Try starting your education with this bioregion quiz from the Ehoah website.

Finally, I know I was pretty harsh on those of you who are praying for rain and trying to send energy to the firefighters and all that. Even if all your rites do is give you some solace in a tough time, that’s constructive enough; just please also focus some on the efforts that are absolutely proven to have a more direct effect on the fires and what caused them. Let your rites inspire you to take more physical action, rather than replacing it. We can’t wave our wands and chant our chants and expect the fire to go out, but we can put our money where our mouth is when it comes to claiming to be practitioners of nature-based spirituality, especially when we need to undo the damage we’ve done to nature more than ever.

ETA: A brief clarification on this post may be found here, specifically addressing people’s concerns that I was too critical of the prayers, spells and the like.