Tag Archives: wolf

Book Review: Wyldsight by Satyros Phil Brucato

Wyldsight: Tales of Primal Fantasy
Satyros Phil Brucato
Quiet Thunder Productions, 2013
70 pages

I confess I don’t read a lot of fiction. Crazy, I know–I used to devour fantasy novels in the late 90’s and 2000s, to the point where I would sometimes bring my bank account down to almost nothing in college. But as I got older, I learned I could fill in some of the gaps in my education myself, and so I became a dedicated nonfiction reader. These days I don’t get nearly as much time to read as I would like, and I’m mostly researching topics relevant to my work. So when I get to dig into a piece of good fiction, it’s a rare treat.

I’ve known the author of this little book of short stories for a few years now; I picked it up from him this past February at HowlCon, Portland’s wolf and werewolf convention (yes, we have one of those!) And yes, I did get it signed, because that’s one of the perks of buying direct from the author. Once I got home, the book sat for a few weeks while I finished up a much thicker tome, and was quite ready for lighter fare by the time I was done.

I say “lighter” to a limited degree. Brucato’s writing may be easy on the eyes, but the imagery bursts into full blossom the moment it hits the brain. Each one of these stories focuses on a wild woman, not the sort you find drunk and covered in Mardi Gras beads even in the middle of August, but the sort who lives in the true wilderness with wolves and dragons as her companions. You may be thinking of overdone tropes, but hear me out: this author has managed to pare away schlock and self-conscious moodiness to leave nothing but an excellent set of tales. Stories are everywhere; myths are ancient. But tales–those are for the telling.

And tell he does. There’s a revision of Little Red Riding Hood that blows away any other retelling I’ve found, and I’ve read a lot of them. There’s a feral re-imagining of the princess and the dragon with bare feet on warm stones and laughter in the dark. There’s a werewolf who wars within herself and finds a bit of truth on a littered beach. These and more hide in the pages of this book, and even the briefest story may leave the reader yearning to follow the protagonist deeper into the wild. Beyond the tales are backstories, more about how these pearls were created and what makes each one shine so brightly. And there’s a bit of a surprise at the very end…

Though what the end of the book left me with is the hope that someday he’ll write a novel in the same spirit, because I want to see more into the worlds that are born in his mind.

You may purchase this book in paperback or ebook form here.

Announcing Costume and Prop Rental Services

You may have noticed a new page in the menu at the top of the Green Wolf site. Costume and Prop Rental does what it says on the tin–it outlines basic information for photographers, filmmakers and other creatives who need hides, bones, or costuming and other works made from them, but who don’t need to buy the items outright.

For several years I’ve been quietly renting out costume pieces and other art and props for photographers, film makers, and other fellow creatives who need something tailored for a single event/shoot, and I finally put together an official page for this service on my site. If you are a creative sort in need of props or costuming for a project, or if you know folks in relevant fields who may be interested, all curious parties may head to https://thegreenwolf.com/costume-and-prop-rental/ for more information.

Please feel free to pass this on, and thank you!

(Featured image by Adam Michaud of New World Industries, copyright Lady Raven Productions)

Totem Profile: Gray Wolf

(Photo source.)

One of the features I’m offering some of my patrons on Patreon is a monthly totem profile, featuring a different animal, plant or fungus totem each month. I’m still not a big fan of totem dictionaries for a variety of reasons, not the least of which being what a particular totem teaches me may not be what it has to say to you–if anything. So rather than offering up the usual “This totem means this, that totem means that” dictionary entry, my goal is to offer up fuel for your own explorations. It’s a little more specific than the exercises and ideas I offer in my books on working with totems in general; these monthly profiles provide some inspiration for connecting with a particular totem. However, they should NOT be seen as “Lupa says this is what the totem means, so you can just stop trying now”, and you should always keep yourself open to the possibility that the totem has bailiwicks that aren’t mentioned in the profile. And, as always, these profiles are from the perspective of non-indigenous, neopagan totemism, and are colored heavily by my own experiences and interpretations.

If you would like to receive access to these profiles, become my patron at Patreon at a level of $5/month or more. In addition to the profiles you’ll also get access to other patron-only content like work in progress shots of art projects, sneak peeks of completed blog posts before they go public, nature photos that I don’t post elsewhere, and other exclusive goodies.

This Gray Wolf profile is just a sample; I’ll be posting an additional profile on another totem for my patrons for August.

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Name: Gray Wolf
Scientific Classification: Animalia Chordata Mammalia Carnivora Canidae Caninae Canini Canis lupus
Range: Almost all of the Northern Hemisphere historically, now reduced to less human-populated wilderness areas of Europe, Asia and North America

Physical Characteristics: The largest existing wild canine, the gray wolf is a lean, powerfully built hunter made for long-distance chases and ranging over cast territories. Wolves are typically about twenty-six to thirty-four inches high at the shoulder and may be up to six feet in length. Average weight for wolves is seventy to eighty pounds, with females being slightly smaller. Wolves in northern areas are generally larger than their southern cousins. The wolf’s double-layered pelt can be a variety of colors ranging from silvery-gray to brown, red, yellow, and even pure white; black wolves, which often have paler gray hairs mixed in, are derived from lineages that crossbred with domestic dogs in the distant past. In the wild, the wolf’s average lifespan is six to eight years, though wild wolves have been known to survive up to thirteen years, and captive wolves a few years beyond that. Wolves are primarily carnivores, and will hunt prey ranging from field mice to moose and other deer depending on availability. However, they may also consume a smaller portion of high-calorie vegetable matter such as berries and fruit.

Evolutionary History: Some of the earliest known ancestors of today’s wolf were the creodonts, Cretaceous-era carnivorous mammals that were dwarfed by their dinosaur neighbors over 100 million years ago. About fifty million years later one branch of creodonts became the carnassials, which had evolved better jaws for meat-eating and began to resemble today’s canines. Miacis is the specific member of this group that we think gave rise to canines and related modern carnivores like bears and weasels. Miacis gave rise to Cynodictis around 35 million years ago, which then later evolved into Tomarctus at about 20 million years ago. We don’t start seeing truly wolf-like creatures until about three million years ago, and the gray wolf proper first appeared about a million years ago in what is now Eurasia, later moving into North America. Today around forty subspecies of wolf (including a few now extinct) are recognized, including the domestic dog and the Australian dingo.

Behavior: Gray wolves are among the most social of canines, living in packs generally composed of a mating pair and their pups from previous years; a litter averages four to eight pups. This social lifestyle offers the wolves the opportunity to hunt larger prey as a group than they would as individuals. Wolves hunt their prey by chasing it down, first getting as close as they can to the prey, then running after it to separate it from its herd and tire it out. Wolves have been known to chase prey in shifts, with new wolves replacing those that are tired out, much like passing a baton in a relay race. A wolf can eat up to twenty pounds of meat or more at one sitting, after which a long nap is generally warranted. Hunting is only a small part of a wolf’s life, though. They are quite playful creatures, both with their pups and with fellow adult packmates. They enthusiastically greet each other when they reunite after separation, and use a variety of sounds to communicate both close by and at a distance. The pack is highly territorial and will defend their territory from other packs with some ferocity. While most pack disputes are settled without violence, on occasions fights may occur, leading to injury or even death. Contrary to popular myth, wolves are generally shy creatures when it comes to humans, and usually take great pains to avoid us. It is only a very starved or very sick wolf that will attempt to attack a human being, though wolves close to human settlements have been known to hunt loose dogs and cats and, on occasion, livestock.

Cultural Impact: The gray wolf is one of the most recognizable wild animals in the Northern Hemisphere, and has had a significant contribution to the symbolism of various cultures throughout the land. The wolf’s ferocity in hunting and defending its territory have earned it a reputation as a powerful being, sometimes revered and sometimes feared–and often both. The Big Bad Wolf of fairy tales is just one of several iterations of the wolf as a terrifying monster, and is derived in part from the villainous wolf of Aesop’s fables and the Brothers Grimm. The Navajo in the southwest United States tell of the yee naldlooshi (popularly known as a skinwalker), a human witch who transforms into a wolf (or other animal) to attack and terrorize people. And Fenrir (or Fenris), a monstrous wolf of Norse mythology, is said to be the killer of the god Odin when the end of the world, Ragnarok, arrives. But the wolf is often seen in a positive light as well. Romulus and Remus, the founders of Rome, were said to have been raised by a female wolf, and a similar lupine kinship has been adopted by cultures worldwide, from the Chechen people of Eastern Europe to the Mongols of Asia to several Native American cultures. The strength of wolves also makes them a common symbol of warriors and warrior culture, and their prowess in hunting has been emulated by humans for millenia. Today, the wolf is a common representative of the wilderness and the need to protect it, and several environmental groups use it as their emblem.

Totemic Inspiration: It is difficult for me to write about Gray Wolf sometimes because he has been such a significant part of my life from a very early age and has taught me so much of who I am today–persistence, drive, the ability to connect, but also a sharp tooth and not always at the appropriate times. Gray Wolf’s cosmopolitan children and high cultural profile makes her one of the most popular totems and almost sort of a “gateway totem”. This is not necessarily a bad thing, as he is often associated with teaching and guidance in neopagan totemism, and in my experience tends to be pretty patient (think of a wolf being gently mauled by a litter of playful pups!) Because wolves are persistent long-distance hunters, Gray Wolf may be called upon for help with staying the course in long-term projects and endeavors, though with an eye toward adapting one’s tactics to be more effective, much as a wolf must change course when prey darts off in another direction, or when a new prey animal becomes evident in chasing a herd. This adaptability is reflected in the wolf’s incredibly large range and ability to live in habitats ranging from deserts to tundra to forests, and for myself I’ve learned quite a bit about making the most of the resources available to me from Gray Wolf. Wolf is not without her shortcomings, though; while territoriality can be helpful when resources are limited and need to be protected fiercely, humanity in general has a lot to learn about generosity, particularly in cultures where there are many resources, but those resources are treated as though they are scarce. It’s not that wolves can’t be cooperative or benefit other beings; they frequently partner with ravens in finding food and in play, and a wolf’s kill can feed dozens of other animals. But Gray Wolf’s loyalty is to his own first and foremost, and this may need to be offset with a conscious reminder that as humans we do not need to restrict our intentional loyalty only to our nearest and dearest. Finally, as mentioned earlier, Gray Wolf and her children have become emblematic of ecological protection efforts because of the wolf’s place as a keystone species, and my co-blogger Rua Lupa and I discussed this earlier this year over at Paths Through the Forests. Please note that these are my interpretations of my experiences with Gray Wolf, and they should not be seen as “totem meanings”. Your mileage with Gray Wolf may vary quite a bit, so get to know him on your own terms if she’d like to work with you.

Sources/Further Reading:

River of No Return: Gray Wolf Fact Sheet
Wild Earth Guardians: Livestock Losses
Basic Facts About Gray Wolves
What Makes a Wolf a Wolf?
Wolf Origins
Lopez, Barry Holstun (1979). Of Wolves and Men. Scribner, 320 pages.

On Not Being a One-Trick Artist

This past weekend, I listed the first big bunch of animal hide headdresses that I’ve posted in about a year over on my Etsy shop. Traditionally, headdresses have been a mainstay of my artwork; I made my first one in 2002, and have continued with it ever since. They’ve become one of my signature offerings, and I’ve made hundreds of them in the past decade and change, both on spec and as custom orders.

Last year, during the summer when I was doing temp work full-time at my old internship site, I was also struggling to keep the Green Wolf going as a business. I knew the day job was only going to be a few months, and I needed something to come back to once it was done. It was really exhausting, as you might well imagine, and during the latter weeks of this experience I found myself feeling quite pent-up creatively. I only had the time to keep making the most bare-bones fundamentals of my shop and booth, and there wasn’t a lot of time for what I call “me art time”, which is where I get to experiment with creativity, try new techniques and materials, and so forth. It felt pretty stifling.

So by the time October rolled around and I was free to be self-employed again, I found myself being completely unwilling to go back to my old rotation of “Today I’ll make this sort of thing, and tomorrow I’ll make these, and the next I’ll get some more of those going…” I wanted to shake things up a bit (while also making sure I kept paying my bills!) So I dove into some new artistic territory, doing more assemblage pieces and other experiments.

One of my newest pieces, "Deer Fern".
One of my newest pieces, “Deer Fern”.
Along the way, a few of my old stand-bys fell to the wayside for a bit. Some of this was sheerly circumstantial; I just didn’t make the time. But the headdresses were deliberately shelved. I’d spent so many years making them, and they were such big, impressive pieces, that the rest of my work often got overlooked and I felt like maybe I was just becoming “Lupa the headdress artist”. It’s not that I didn’t love the ones that I made; I’ve always enjoyed creating them, and dancing with my own. But I needed a break from them.

So other than a few headdresses for my vending booth and whatever custom orders came in, I stopped making them a regular part of my art. I kept experimenting with new media, and pushed myself out of my comfort zone. I began feeling that I didn’t just want to not be known only as “Lupa the headdress artist”–I also felt corralled into the label of “Lupa the hide and bone artist”. So I spent much of the winter trying to reinvent myself and my artwork, not throwing out the good things, but adding on more good things, if that makes sense.

I really needed it, too. One of the things about being an artist for a living, rather than as a hobby, or having someone else financially supporting you while you make art, is that there are certain popular pieces that will replace your day job as your primary form of income. It’s easy to get stuck in a rut with them, too, and I realized that art had stopped being as much fun because of it. I needed to be able to get back to my roots as a creative person, that busy, somewhat crazed immersion in possibilities melded with opportunities serving as brief snapshots of where I was with regards to skill and inspiration.

And I think I felt I needed to prove something to myself and to others–that I wasn’t just a one-trick artist, that I didn’t just make headdresses (and a few other things). Moreover, at some point making headdresses became trendy, and more and more people started trying to cash in. I didn’t want to get lost in the masses, but I didn’t want to define myself by just making yet another variation on the headdress.

A blank book I made with shells and handmade paper.
A blank book I made with shells and handmade paper.
So that’s where a lot of my experimentation came from. And it worked. I felt a lot less stifled creatively, and more motivated to make both my old stand-bys and shiny new things, too. I got good response from people with my newer pieces as well as the classics. I got the rejuvenation I needed, and became a better artist as a result.

It wasn’t until this month, though, that I felt ready to go back to the headdresses. I missed them, really, and while I really enjoy making custom pieces for other people, it’s not the same as getting to create them on my own time, with no restrictions. So I pulled out a few hides I had stored away and spent a couple of weeks stitching up tears and holes, reshaping ears and faces, adding straps, and getting them ready to wear.

And then I went out with my friend Julie to Laurelhurst Park where she graciously modeled the new headdresses for me while I took photos. As I did, I felt my old enthusiasm for the headdresses coming back. Watching another person take on these spirits, even for a few minutes, and enjoy connecting with them reminded me why I started making them in the first place. I wanted to see them go to new homes where they could have that kind of attention more often, and teach someone new how to dance and shift and return to their animal selves. I wanted them to have the same opportunities my own headdresses had, and make those new relationships happen.

It led to a sense of completion, like the last piece fell into place–for the moment, anyway. No doubt I’ll want to shake things up again before too long. But for the moment, I think it’s going to be a good summer for headdresses.

You can see some of my headdresses, present and past, in my portfolio and my Etsy shop. I am also available for custom work; feel free to contact me with your ideas and requests.

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