Tag Archives: Oregon

The Artist’s Equinox

This morning settled upon me gently; drowsy eyes opened to cloud-shrouded light through the cracks in the blinds. The past few mornings have been tight-laced with urgency, as all event days start. We have to get to the venue; we have to make sure the booth is open; wait, did I remember to pack the cash box, and is there enough change for the day? And so forth. The day’s activities variously include making stock to replace what’s sold, interacting with and helping my customers (sometimes large groups filling the entire booth), steeling myself against ninety-degree heat and direct sun or an air conditioner turned down to chilly levels, and usually tons of music and background noise through which my consciousness must filter only the most important information. Wait, did I remember to eat? This can go on for eight to twelve hours straight. By the time I fall into bed at the end of the day–whether my own, or a hotel’s, or an air mattress in my tent–all I want to do is sleep for fifteen hours, even though I know I need to be awake in eight or fewer.

I do love vending; I love getting to see people, and talk to folks I normally only run into at events, and of course it’s nice to sell my art and books as well. But I am, at heart, an introvert, and while I can socialize quite well and enjoy it, too, it drains me after a while. Plus there’s all the energy that goes into preparing for, executing, and tearing down the booth at an event, and then arriving home and realizing just how much I still have to do, all those things that got shoved to the side for this one big burst of effort that has eaten up my days. I’ve had something scheduled every single weekend since Labor Day, and while there’s been a lot of fun involved and it’s been worth it financially, today is the day I’ve been waiting for the most.

Because today is the first day where I don’t have a huge event waiting at the end of the weekend. I have a book signing at the Pacific Northwest Booksellers Association trade show this Saturday, but that’s it. A quick boomerang trip, wake up at home and sleep at home. And in front of me stretches a month of few commitments. Plenty of things on the to-do list, but plenty of freedom in which to get them done. There’s no schedule but that which I put myself to, and it is a beautiful thing. It’s easier to take one thing at a time now, focus only on what’s right in front of me. Like the trees divesting themselves of leaves, I, too, shed extra weight.

So I’ll be heading out to my community garden plot to pick the last of the tomatoes and start preparing it for the cold months. There will be time to start cleaning the apartment, left too fallow during the busy festival season. I have packages to mail, and custom work to create, and articles to write. My Etsy shop needs some nifty new things, and there are book ideas floating around, too. The next few months are full of potential and ideas and creative juices bubbling forth–and I’ll sleep when I want to, too. And, best of all, there’s so much hiking to be done–and I’ve already reserved a yurt on the coast for a personal writing retreat in October as well. The wilderness beckons, and I yearn to run to it.

Autumn is here, and as the land around me prepares for a quieter time, I also come home to my den, only to venture out so often, and glad to be in the comforts of home.

Announcing Costume and Prop Rental Services

You may have noticed a new page in the menu at the top of the Green Wolf site. Costume and Prop Rental does what it says on the tin–it outlines basic information for photographers, filmmakers and other creatives who need hides, bones, or costuming and other works made from them, but who don’t need to buy the items outright.

For several years I’ve been quietly renting out costume pieces and other art and props for photographers, film makers, and other fellow creatives who need something tailored for a single event/shoot, and I finally put together an official page for this service on my site. If you are a creative sort in need of props or costuming for a project, or if you know folks in relevant fields who may be interested, all curious parties may head to https://thegreenwolf.com/costume-and-prop-rental/ for more information.

Please feel free to pass this on, and thank you!

(Featured image by Adam Michaud of New World Industries, copyright Lady Raven Productions)

Announcing My New Solo Art Show: marrow, moss

I am pleased to announce my upcoming solo art show! marrow, moss will feature new assemblage and costume pieces, including works never before displayed online or off. Since 1998 I have been creating art from hides, bones, stones and other natural materials; part funerary art to honor the beings that once wore these remains, and part microcosmic encapsulation of nonhuman nature, my work is an alchemical transformation of abandoned and trivialized materials into creations toward a better world. As with all of my work, a portion of the proceeds from sales of the pieces in this show will be donated to a nonprofit organization that benefits natural places and their inhabitants.

I invite my readers to attend the opening of this show; admission is free, and in addition to my works you may explore the diverse and glorious stock of one of the Pacific Northwest’s premier natural history shops.

Where: Custom Cranium, 1331 Willamette St., Eugene, OR

When: Saturday, September 6, 7pm

My deepest thanks to Darien at Custom Cranium for inviting me to show at her shop.

Preparing For Spring

PNCnature_iconRecently, my fellow writer, Rua Lupa, posted to No Unsacred Place about her goings-on for Transequilux. This is the time of year that many pagans refer to as Imbolc, Candlemas, etc., midway between the winter solstice and the spring equinox. In her path, Ehoah, the spring equinox (or Equilux) is the new year, which I feel is a more fitting time than the middle of winter. She described a variety of projects she was undertaking as the equinox approached, including a lot of eco-sustainable activities, but also some personal endeavors as well. It reminded me something of the time-honored tradition of “spring cleaning”, in which the detritus of winter is shucked out the door and everything is organized anew to greet the arrival of warmer, sunnier days. And as the land is waking up in here in Portland, this shift to greater activity and improvement seems especially apt.

Winter has historically been a tough time for me, some years moreso than others. Start off with the fact that I am a warm weather kind of person (despite, or perhaps because of, growing up in the Midwest where winters get harsh), and winter just isn’t the best season for me. And this past winter had a lot of particular challenges; I spent the entire summer into fall working a day job in addition to my usual art and writing schedule, and so I spent a lot of beautiful, warm days stuck indoors. I hardly had time for hiking, and camping was a distant memory; I was going through serious wilderness withdrawal. As soon as I got my time back, fall was settling in, and the leaves began to fall while I recovered from the exhaustion. By the time I was ready to engage with the world again, the skies were gray and I couldn’t go outside without at least four layers of clothing. Add in that I had a lot of other deadlines and obligations to corral and deal with , with not a lot of breathing room, and I was one very knotted ball of stress.

But over the past few days (the chilly weekend notwithstanding), the temperatures have been climbing up into the upper 50s and even low 60s, and the sun has made appearances amid the much-needed precipitation. On the way back from a hike

The Sandy River east of Portland flowed cold and deep the day before Christmas. Lupa, 2013.
The Sandy River east of Portland flowed cold and deep the day before Christmas. Lupa, 2013.
with my dear friend Emily on Friday, we got a good look at Mt. Hood, the sun shining on a coat of snow that draped much lower than it had a month previous thanks to February’s snow and rain. I felt much like that mountain, staving off drought with a longer hem of white–given more leeway than before, suddenly feeling more like myself.

And it’s resulted in a greater burst of energy than I’ve had in months. There’s the push of urgency that I used to get through running Curious Gallery, followed by trips to PantheaCon and FaerieCon West back to back, but so many mornings all I wanted was to go back to bed, dredged up from slumber much too early, and frenetically chasing commitments hither and yon. In the warmth of the first days of March, though, I feel the sunlight soaking into my skin, and the layers of fatigue and angst fall away like heavy clothing off my shoulders.

Like Rua Lupa, too, I’ve been taking that energy and putting it to good things. You’ve seen how I revamped my website, clearing out old HTML whose roots are fifteen years old and paring down links and sub-pages like husks on corn. Offline, when I arrived home from FaerieCon West weekend before last, I came to the realization that I’d let my art room go to utter disarray in the busy-ness of events and preparation and stocking up. So I took the time to not only put things back in their place, but to go through the bins and crates and destash the things that needed new homes, projects I probably wasn’t going to get to, supplies that may be better in another artist’s hands. We’re preparing to do the same to the garage, all of our extra stuff that we do need now and then, probably not valuable to anyone but us, but worth hanging onto despite the space it takes up. In fact, the entire apartment is due for a deep cleaning anyway, and now’s as good a time as any.

One of my happiest seed purchases in years. Lupa, 2014.And in clearing away the old, there’s room for fresh growth. I’ve spent the past couple of weeks saving my community garden plot from weeds, and I’ve been left with full, rich soil that benefited heavily from the minerals and bone meal I put on it last fall. It abounds with life beneath the dead plants; the presence of overwintered cutworms signaled a need to find an organic solution before my fresh seeds become tasty sprouts, and a survey of one cubic foot of soil found fifty-five earthworms when I turned the earth to prepare it for planting, though the opportunistic crows that swooped down to the turned earth as I left probably reduced the population a bit. I even discovered a few daffodils that I transplanted to the northern edge of my plot where a bunch of of mystery bulbs are due to reveal their identities in the weeks to come. (I inherited this spot last summer, once all the bulbs had bloomed and died back, so I’m looking forward to pleasant surprises.)

I rewarded all my weeding with seeding; for roots I have turnips, two types of beets, two varieties of radish, and a newcomer to my garden, parsnips. For early greens I’ve laced the earth with the tiny seeds of spinach, arugula and kale, and rounded out the lot with peas and onions, both personal favorites of mine. I realized too late that I was planting some things in the same spots as last fall–radishes and turnips and kale in identical rows–which means greater vigilance against disease and pests. But it’s only the second time, and I’ll remember to rotate next time through.

So it is that I make my own preparations for changes and developments, and clear away space for growth and evolution. I always look forward to spring, but this year I can almost feel myself growing, plant-like, toward the windows even as I carry about my business indoors, and every trip outside feels like the biggest, most satisfying stretch in the world. I need this shift now, more than in most years, and the sweet smell of cherry blossoms and tender grass studded with little brown mushrooms can’t get here soon enough.