Tag Archives: seasons

A Naturalist Pagan View of Death

Samhain’s a month past, now, and autumn hangs more heavily here; deciduous trees have lost all but a few leaves to the increasing winds, and the birds visit my feeders much more frequently than they did just a few weeks ago. Nature is still alive and well, but more somber and quiet in her demeanor. While for me the threat of famine or freezing is incredibly slim, winter historically was–and sometimes still is–time to reflect upon death and those who have gone before. In October I wrote three letters to my ancestors over at Paths Through the Forests, but my thoughts haven’t ended there. I’ve been letting the time of year and the increased struggle of the neighborhood birds slowly turn over in my mind, even as my schedule shifts and slows with the seasonal changes.

Surprisingly, what touched off this particular focus on death was Netflix. Or, more specifically, the new Cosmos hosted by Neil deGrasse Tyson, which I’m just now getting around to watching. There are echoes of Carl Sagan’s original Cosmos, including the exploration of the metaphorical calendar year in which we humans compose only the last few moments. It reminded me of how we only have a tiny eyeblink of time in this life. Some may be comparatively longer eyeblinks than others, but when you consider the mind-bogglingly immense lifespan of Earth, and the even greater span of the universe, the difference of a few decades is imperceptible. Still, to us here in our human lives the count of years is important, and we want as many seasons as we can get.

In American culture that means treating death like the enemy. Everyone dies, of course. But we go through ridiculous means to pretend we’re immortal, even if only in our own minds. We spend more and more money each year on cosmetic approximations of youthfulness, and scientists are working to find the exact cause of ageing so that we may hopefully someday slow it down and enjoy longer lives. Of course we mourn when someone dies, and those who know their days are numbered through terminal illness often go through their own grieving journey for themselves. Few of us ever actually want to leave this place once we’re here, even with all its challenges and sorrows.

Some of it, of course, is our deeply ingrained will to survive; without it, our ancient ancestors millions (even billions) of years ago never would have gone on long enough to give birth to us and the other living beings of the 21st century. But it’s also an appreciation of the good things in this world; we don’t want to lose the people we’re closest to, and we hate the idea of never getting to see the next summer–or the next sunrise. Sometimes instead of enjoying our lives, though, we waste them trying to cheat death. And what good is it to spend your waking moments obsessed with when your eyes shut for the last time? You’ve already made yourself blind.

Yet I can’t help but appreciate the contribution death makes to life. If we were truly immortal, if we knew our lives had no end, how different our attitudes might be! We could cultivate endless laziness and boredom until we damned our lack of death. It is the inevitable ending, and the fact that most of us know neither the day nor the hour of its arrival, that makes life worth appreciating. Death is the price we pay for life. Every one of us is given a finite time on this planet, no more and no less. All our religions and beliefs aside, we cannot know for sure that there’s anything after we die. We don’t even know how much life we have left–it could be a few moments, it could be decades.

Death is a reminder not to take what we do know we have for granted. It’s the thing that makes life so precious–our brief moment in the sunlight before it fades again. We cannot buy more life. We cannot cheat death. All we can do is take each day, each hour, each breath as it comes, and appreciate that we have made it a little longer on this beautiful, chaotic, disastrously wonderful planet we call home.

And from death comes more life. A deer that dies of battle wounds in the autumn feeds countless other animals during the hard, cold winter, giving them the strength they needed to live another day, and in the spring its remains will continue to feed fungi, bacteria, plants. Eventually every bit of its body will return to the cycles that created it in the first place; all the food it had collected in its own body in the form of muscles and fur, skin and bones, will be returned, as it was only borrowed. So do we all only borrow our bodies from the rest of the world for a little while.

All this makes me more grateful to be alive. And all this makes me grateful that death is in this world.

Are you interested in reading more about the role of death and reclamation in my spiritual work? Consider picking up a copy of my book, Skin Spirits: The Spiritual and Magical Use of Animal Parts in which I detail both the spiritual and practical elements of my art and ritual work with hides, bones and other animal remains.

Preparing For Spring

PNCnature_iconRecently, my fellow writer, Rua Lupa, posted to No Unsacred Place about her goings-on for Transequilux. This is the time of year that many pagans refer to as Imbolc, Candlemas, etc., midway between the winter solstice and the spring equinox. In her path, Ehoah, the spring equinox (or Equilux) is the new year, which I feel is a more fitting time than the middle of winter. She described a variety of projects she was undertaking as the equinox approached, including a lot of eco-sustainable activities, but also some personal endeavors as well. It reminded me something of the time-honored tradition of “spring cleaning”, in which the detritus of winter is shucked out the door and everything is organized anew to greet the arrival of warmer, sunnier days. And as the land is waking up in here in Portland, this shift to greater activity and improvement seems especially apt.

Winter has historically been a tough time for me, some years moreso than others. Start off with the fact that I am a warm weather kind of person (despite, or perhaps because of, growing up in the Midwest where winters get harsh), and winter just isn’t the best season for me. And this past winter had a lot of particular challenges; I spent the entire summer into fall working a day job in addition to my usual art and writing schedule, and so I spent a lot of beautiful, warm days stuck indoors. I hardly had time for hiking, and camping was a distant memory; I was going through serious wilderness withdrawal. As soon as I got my time back, fall was settling in, and the leaves began to fall while I recovered from the exhaustion. By the time I was ready to engage with the world again, the skies were gray and I couldn’t go outside without at least four layers of clothing. Add in that I had a lot of other deadlines and obligations to corral and deal with , with not a lot of breathing room, and I was one very knotted ball of stress.

But over the past few days (the chilly weekend notwithstanding), the temperatures have been climbing up into the upper 50s and even low 60s, and the sun has made appearances amid the much-needed precipitation. On the way back from a hike

The Sandy River east of Portland flowed cold and deep the day before Christmas. Lupa, 2013.
The Sandy River east of Portland flowed cold and deep the day before Christmas. Lupa, 2013.
with my dear friend Emily on Friday, we got a good look at Mt. Hood, the sun shining on a coat of snow that draped much lower than it had a month previous thanks to February’s snow and rain. I felt much like that mountain, staving off drought with a longer hem of white–given more leeway than before, suddenly feeling more like myself.

And it’s resulted in a greater burst of energy than I’ve had in months. There’s the push of urgency that I used to get through running Curious Gallery, followed by trips to PantheaCon and FaerieCon West back to back, but so many mornings all I wanted was to go back to bed, dredged up from slumber much too early, and frenetically chasing commitments hither and yon. In the warmth of the first days of March, though, I feel the sunlight soaking into my skin, and the layers of fatigue and angst fall away like heavy clothing off my shoulders.

Like Rua Lupa, too, I’ve been taking that energy and putting it to good things. You’ve seen how I revamped my website, clearing out old HTML whose roots are fifteen years old and paring down links and sub-pages like husks on corn. Offline, when I arrived home from FaerieCon West weekend before last, I came to the realization that I’d let my art room go to utter disarray in the busy-ness of events and preparation and stocking up. So I took the time to not only put things back in their place, but to go through the bins and crates and destash the things that needed new homes, projects I probably wasn’t going to get to, supplies that may be better in another artist’s hands. We’re preparing to do the same to the garage, all of our extra stuff that we do need now and then, probably not valuable to anyone but us, but worth hanging onto despite the space it takes up. In fact, the entire apartment is due for a deep cleaning anyway, and now’s as good a time as any.

One of my happiest seed purchases in years. Lupa, 2014.And in clearing away the old, there’s room for fresh growth. I’ve spent the past couple of weeks saving my community garden plot from weeds, and I’ve been left with full, rich soil that benefited heavily from the minerals and bone meal I put on it last fall. It abounds with life beneath the dead plants; the presence of overwintered cutworms signaled a need to find an organic solution before my fresh seeds become tasty sprouts, and a survey of one cubic foot of soil found fifty-five earthworms when I turned the earth to prepare it for planting, though the opportunistic crows that swooped down to the turned earth as I left probably reduced the population a bit. I even discovered a few daffodils that I transplanted to the northern edge of my plot where a bunch of of mystery bulbs are due to reveal their identities in the weeks to come. (I inherited this spot last summer, once all the bulbs had bloomed and died back, so I’m looking forward to pleasant surprises.)

I rewarded all my weeding with seeding; for roots I have turnips, two types of beets, two varieties of radish, and a newcomer to my garden, parsnips. For early greens I’ve laced the earth with the tiny seeds of spinach, arugula and kale, and rounded out the lot with peas and onions, both personal favorites of mine. I realized too late that I was planting some things in the same spots as last fall–radishes and turnips and kale in identical rows–which means greater vigilance against disease and pests. But it’s only the second time, and I’ll remember to rotate next time through.

So it is that I make my own preparations for changes and developments, and clear away space for growth and evolution. I always look forward to spring, but this year I can almost feel myself growing, plant-like, toward the windows even as I carry about my business indoors, and every trip outside feels like the biggest, most satisfying stretch in the world. I need this shift now, more than in most years, and the sweet smell of cherry blossoms and tender grass studded with little brown mushrooms can’t get here soon enough.