Tag Archives: naturalist pagan

Cosmology, Death, Gratitude, Meaning, Rites of Passage, Way of the Scavenger, Wonder and Awe

A Naturalist Pagan View of Death

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Samhain’s a month past, now, and autumn hangs more heavily here; deciduous trees have lost all but a few leaves to the increasing winds, and the birds visit my feeders much more frequently than they did just a few weeks ago. Nature is still alive and well, but more somber and quiet in her demeanor. While for me the threat of famine or freezing is incredibly slim, winter historically was–and sometimes still is–time to reflect upon death and those who have gone before. In October I wrote three letters to my ancestors over at Paths Through the Forests, but my thoughts haven’t ended there. I’ve been letting the time of year and the increased struggle of the neighborhood birds slowly turn over in my mind, even as my schedule shifts and slows with the seasonal changes.

Surprisingly, what touched off this particular focus on death was Netflix. Or, more specifically, the new Cosmos hosted by Neil deGrasse Tyson, which I’m just now getting around to watching. There are echoes of Carl Sagan’s original Cosmos, including the exploration of the metaphorical calendar year in which we humans compose only the last few moments. It reminded me of how we only have a tiny eyeblink of time in this life. Some may be comparatively longer eyeblinks than others, but when you consider the mind-bogglingly immense lifespan of Earth, and the even greater span of the universe, the difference of a few decades is imperceptible. Still, to us here in our human lives the count of years is important, and we want as many seasons as we can get.

In American culture that means treating death like the enemy. Everyone dies, of course. But we go through ridiculous means to pretend we’re immortal, even if only in our own minds. We spend more and more money each year on cosmetic approximations of youthfulness, and scientists are working to find the exact cause of ageing so that we may hopefully someday slow it down and enjoy longer lives. Of course we mourn when someone dies, and those who know their days are numbered through terminal illness often go through their own grieving journey for themselves. Few of us ever actually want to leave this place once we’re here, even with all its challenges and sorrows.

Some of it, of course, is our deeply ingrained will to survive; without it, our ancient ancestors millions (even billions) of years ago never would have gone on long enough to give birth to us and the other living beings of the 21st century. But it’s also an appreciation of the good things in this world; we don’t want to lose the people we’re closest to, and we hate the idea of never getting to see the next summer–or the next sunrise. Sometimes instead of enjoying our lives, though, we waste them trying to cheat death. And what good is it to spend your waking moments obsessed with when your eyes shut for the last time? You’ve already made yourself blind.

Yet I can’t help but appreciate the contribution death makes to life. If we were truly immortal, if we knew our lives had no end, how different our attitudes might be! We could cultivate endless laziness and boredom until we damned our lack of death. It is the inevitable ending, and the fact that most of us know neither the day nor the hour of its arrival, that makes life worth appreciating. Death is the price we pay for life. Every one of us is given a finite time on this planet, no more and no less. All our religions and beliefs aside, we cannot know for sure that there’s anything after we die. We don’t even know how much life we have left–it could be a few moments, it could be decades.

Death is a reminder not to take what we do know we have for granted. It’s the thing that makes life so precious–our brief moment in the sunlight before it fades again. We cannot buy more life. We cannot cheat death. All we can do is take each day, each hour, each breath as it comes, and appreciate that we have made it a little longer on this beautiful, chaotic, disastrously wonderful planet we call home.

And from death comes more life. A deer that dies of battle wounds in the autumn feeds countless other animals during the hard, cold winter, giving them the strength they needed to live another day, and in the spring its remains will continue to feed fungi, bacteria, plants. Eventually every bit of its body will return to the cycles that created it in the first place; all the food it had collected in its own body in the form of muscles and fur, skin and bones, will be returned, as it was only borrowed. So do we all only borrow our bodies from the rest of the world for a little while.

All this makes me more grateful to be alive. And all this makes me grateful that death is in this world.

Are you interested in reading more about the role of death and reclamation in my spiritual work? Consider picking up a copy of my book, Skin Spirits: The Spiritual and Magical Use of Animal Parts in which I detail both the spiritual and practical elements of my art and ritual work with hides, bones and other animal remains.

Activism, Artwork, Environmentalism, Ethics, Sustainability, Way of the Scavenger

Hello, Old Paint

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Today is an art day. I’m bouncing between a few custom orders and what I call “cleaning through art”. That latter is where I realize the back bedroom where I keep my art supplies is a complete mess, and instead of cleaning everything up like a normal person, I pick up the nearest project idea that’s cluttering up the floor and work on it til it’s done. Sure, it only makes the room a little less messy, but at the end I have a completed project and slightly more space!

One of the projects I’m working on is a dance costume made from a tanned horse’s mane and tail that I got from a Washington taxidermist who collects deceased animals from local farms (among other sources). The tail’s going to be on a belt, as I normally do with my horse tails, and I’m adding a pair of decorated belt pouches; the leather’s all from a deerskin coat I got at the Goodwill Bins a while back. You can see one of the pouches as a work-in-progress in the picture above.

My last Bins trip also netted me the paints next to it. Shopping there is less like a regular excursion where you have a list of things you want, and more like a giant yard sale that happens every day and there’s more brought out every fifteen minutes and you really don’t know what you’re going to go home with. In recent trips I’ve hauled out a pillowcase full of pine cones, a vintage Black and White scotch bottle (empty, of course), an empty antique projector case, and a bag full of several dozen partially full tubes of acrylic paints. I wasn’t able to open up the tubes prior to purchase, so I knew it was a gamble, but it paid off–only one was all dried up, and the rest were primarily in the earthy colors I use a lot. Although acrylics are a better paint green-wise than oils, with fewer toxins and a water base, they’re still a guilty convenience purchase (I mean really, I could just be mixing my own paints from egg and pigments, right?) So I was more than happy to keep these out of the waste stream and keep myself from having to buy new paints for a while, too.

We All Fall DownHowever, just because they weren’t dried up didn’t mean all the paints were in prime condition. Most of them just needed to be stirred to get the pigment to mix back in with the solvent, but some responded better than others. I hate to waste anything, and so I’ve turned working with imperfect paints into an art all its own. If some of the pigment has solidified and the paint that’s left is thin, it makes a good wash or faux-watercolor. Too thick, but still brushable? Look, it’s a texturing medium! They need to be treated a little differently than when they were new, but they’re far from useless. Even the dried out clumps of pigment can be carved into interesting shapes for assemblage work, or made into flakes to glue in as colored details.

Some artists are really particular about their media; they can’t get the exact effect they want if the chemistry’s a little off, or the texture is wrong. I, on the other hand, love all the wrongness. There’s a certain joy I get as an artist out of using things that were discarded by others, whether it’s old hide scraps or bits of plastic or damaged household items. I love the challenge of making the imperfect beautiful, of watching it transform from refused into rejuvenated.

And I think, as a society, we might do better to fall in love with imperfection a little more. I know people who won’t shop at a thrift store because “That’s where the poor people go”. The classism of that statement is a whole other rant in and of itself, but I will point out now that this attitude ties right in with what I was talking about a few weeks back about saving only the best for ourselves. We waste so many resources, artistic and otherwise, because we turn out noses up at the imperfections, the challenges in making something work.

But that’s why I’m a Hyena Artist following the Way of the Scavenger. Their loss is my gain, and few things thrill me more than digging into the Bins and seeing what goodies I come up with to make stuff out of. And now I’m going to go back to painting with my old paints, on the secondhand leather pouch, because it’s going to be awesome when it’s done.

*By the way, the assemblage piece a few paragraphs up is made with one of those aforementioned pine cones, along with other reclaimed materials. You can find out more about it here.