Tag Archives: skin spirits

Anthropocentrism, Artwork, Cosmology, Death, Environmentalism, Paganism, Rituals, Skin Spirits, Way of the Scavenger

Roadkill is Not a Waste

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I love my fellow vultures, we fans of taxidermy and hides and bones and other such specimens. But I don’t always agree with them. Case in point: I recently read someone writing about how they thought they were obliged to pick up roadkill and salvage the hide and bones because otherwise it would be “a waste”.

On the one hand, I can see a good point in favor of that attitude. Roads aren’t “natural”, if by “natural” you mean “anything dating after humans discovered fire”. We see a deer accidentally hit by a car as a tragedy, but a rabbit accidentally trampled by a stampeding deer is “natural”. It’s only human intervention that seems to be “unnatural”. So if that’s your perspective, then yes, roadkill seems like a huge waste of life.

Furthermore, the argument is made that since the carcass is already there, we vultures should process it into tanned fur and cleaned bones and other specimens. It means one more set of animal remains funneled into the growing demands for taxidermy and curiosity cabinets, but without the deliberate killing of hunting (which for some people is worse than an accidental death by roadkill).

Both of these are valid reasons for making use of a roadkilled animal, and not letting a good opportunity go to waste. However, I would also argue that leaving the carcass there is not a waste. We may dislike seeing it on the side of the road, perhaps because it’s unsightly, often because we feel it’s disrespectful to the animal.

But what actually happens to roadkill when it’s simply rolled off the side of the road and into the ditch beside it? I had the unique opportunity a number of years ago to witness this in detail. I lived in a rural area close to Pittsburgh, PA. A whitetail doe got hit by a car right in front of the house, and her body ended up falling partway down a drainage ditch at the edge of our yard. This was mid-July, so it was hot, and flies showed up almost immediately. In the space of a week, a complete carcass was stripped almost completely of flesh by a growing army of maggots and bacteria, and likely was also nibbled on by local foxes, raccoons and other critters.

We do not see this process ourselves very often. Most people only see the remains of the deceased as bodies in funeral homes, meat in grocery stores, and fleeting glimpses of roadkill on the side of the highway. Few observe the stages of decomposition, and so we forget it is the most natural thing in the world. That roadkilled doe did not go to waste. She fed thousands of insects, countless bacteria, and even the fungi and plants beneath her. Even remains that “simply rot” feed something. There is no waste in nature.

But what about my work with preserved hides and bones? After all, I did collect the doe’s bones once the meat was all gone, and I did purification rites over them. Yes, I create my art and do my skin spirits rites because I feel I am honoring the animals that once wore these remains. But I also recognize that these are purely human conceptualizations of “honor”. The older I get, the more I think we do these rituals more for ourselves and our own sense of what is morally correct than what nature considers “honorable”. Wolves do not pray over dead elk. Elk do not pray over tree leaves. Leaves do not pray over nutrients in the soil that were only recently seeped from decaying salmon dropped there by grizzly bears. We are likely not the only animals to mourn lost loved ones, but we, and we alone, conduct elaborate rituals specifically because we feel the remains themselves–and not just the life that once wore them–should be so honored.

This is not to say I think roadkill collection is wrong, or that we should stop. After all, an opportunity is an opportunity, and besides, respect is a good thing to practice in general. But I think we need to stop justifying roadkill collection by saying it’s “waste” otherwise. That’s a very human-centric view of things; just because we won’t use it doesn’t mean nobody else will.

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Want more hides and bones? Please consider picking up a copy of my book, Skin Spirits: The Spiritual and Magical Uses of Animal Parts, or perusing my current hide and bone art selection on Etsy!

Animals, Artwork, Creativity, Paganism, Ritual Tools, Skin Spirits, The Tarot of Bones

Announcing My Newest Project: The Tarot of Bones

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Happy New Year, all! For the past several weeks I’ve been dropping hints here and there about a big, super-secret project I have in the works, and now I’m doing the big unveil:

After almost twenty years of practicing nature-based spirituality and creating art with natural materials, I am creating a tarot deck. The Tarot of Bones is an ambitious project combining the nature-inspired symbolism of animal bones with the tarot’s well-loved archetypes to create an unparalleled divination set for the 21st century. As animals exist within vibrant and complex ecosystems, the bones will be ensconced in permanent assemblage artworks using natural and reclaimed materials reflecting both the animal’s habitat and emblems of their respective cards.

The Tarot of Bones will be a complete 78-card tarot deck with both the Major and Minor Arcana, each card featuring a full-color photograph of the assemblage piece I create for it. A full companion book will also be available, detailing the symbolism and potential interpretations of each card, as well as sample layouts and other material of use to the reader. The Tarot of Bones will be self-published to allow me the greatest amount of creative control; I will be organizing a crowdfunding campaign later in 2015. If you would like to support my creative endeavors in the meantime and get access to exclusive work in progress photos of the artwork for the cards, please consider becoming my patron on Patreon.

For more information and updates please refer to the pages and other links at the official website; you may also wish to join our Facebook page (make sure you turn on notifications!) I’ll be posting pictures of the assemblage art for each of the 78 tarot cards in the deck-to-be. The first one will be up later in January; in the meantime, I invite you to take a peek at some of my other artwork on my portfolio; you can also see specific samples of my work on the main page of the Tarot of Bones website to give you some idea of the style I will be using for this deck.

And please share, reblog or otherwise pass this post on to anyone you feel may be interested; as I will not have the promotional power of a publisher behind me on this project, word of mouth is going to be a really important component of making it happen. Thank you!

Animal Totems, Animals, Artwork, Cosmology, Ethics, Rituals, Skin Spirits, Totems, Way of the Scavenger

Purification Ritual For Hides, Bones and Other Animal Remains

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My artwork and other practices with hides, bones and other animal remains have always been intensely spiritual. I didn’t like seeing them displayed as mere trophies or status symbols, and so set out to remake them as sacred creations and beloved personal artifacts, guides in costumed shapeshifting and curiosities for consideration. I wanted them to be revered, not merely possessed.

There are a lot of factors outside of my control in this. I can’t control who buys a particular item (other than turning away the occasional rude customer) or what they do with something I made once they have it. I’ve just had to learn to let go and let gods in that regard. But I can do my best to seek out my target audience and present my work in a way that will appeal to them, and keep working my intent into everything I create. And I add a bit of a ritual to it, too, whether you want to believe it changes things on a distinctly spiritual level, or simply helps me stay focused on my task.

I realized recently that while I reference the ritual I do quite a bit, I haven’t actually written about it much. So I figured now would be as good a time as any to share it with you in detail. You’re welcome to try it out for yourself, modify it as needed, but please do give credit when sharing.

There are three parts of the ritual: the meditation, the purification, and the offering.

The meditation is the part that takes the longest. I’ll sit with each piece that I’ve created, and meditate with the spirits of the animals whose remains are incorporated into the art. I have a conversation with them, and ask each of them to show me what they’d like me to know about their lives and deaths. Sometimes I get a vivid, play-by-play of their last moments; other times I get highlights of their lives, especially when they were young (even other animals like to reminisce about childhood). I’ve often gotten some of this information already; as I create the art I’m having an ongoing conversation with them about what I’m creating and what they’d like me to include, and it’s a good opportunity to chat with them about other things as well.

The purification involves a physical smudging of the completed artwork. I used to use sagebrush, but these days I tend more toward cedar or sweetgrass as I like the aroma better. I generally only use a tiny bit at one time; rather than burning an entire sage smudge stick, I’d just pull out one lone leaf and light it. Part of this is to keep from aggravating my asthma, but it’s also so I’m using fewer resources. One leaf purifies as well as thirty in my experience, even if it takes just a touch longer to smudge the entire piece. It’s really an issue of quality over quantity. Other forms of purification can work, too, though I recommend against water-based ones since water can hurt certain hides and other remains. I also say a prayer over each piece at this time, asking that they will go to someone who will love them and cherish them for who and what they are, and thanking them for letting me work with them in the first place.

The offering is the part that’s changed the most over the years. When I first got started, I would offer small drilled stones and shells to the totems of the animals whose remains I used. When I had enough to fill a small leather pouch dedicated to that totem, I would make the stones into a necklace, and then give it to someone who worked with that totem. Over time I became less enamored of this. What was I going to offer to the totems of the stones I made as offerings to the animals? After all, they’re a part of nature, too, not just objects to be given and taken. So I instead diverted the money I would have spent on the stones and shells toward donations to nonprofit groups, and increased my volunteer time to compensate as well.

No purification ritual goes exactly the same way as another. Sometimes the meditation is brief, other times it’s looooong. Occasionally I get a spirit making a special request for an offering or other gesture. That’s why I don’t have this all written out in one big “First say this, then do this” format. It’s more a set of guidelines than holy writ. The point is to remind myself that I am working with skin spirits and sacred remains, and that what I do is meant to honor.

Note: If you enjoyed this post, please consider bringing home a copy of my book Skin Spirits: The Spiritual and Magical Uses of Animal Parts, which details my years of spiritual work with hides, bones and other animal remains, along with step by step instructions on how to make assorted ritual tools with them.